Hands-On with Guest User Mode in visionOS 2.4

By Devon Dundee

The Apple Vision Pro is a device that begs to be shared with others. Sure, mirroring your view to a TV or iPhone via AirPlay is a decent way to give people a glimpse into the experience, but so much about visionOS – the windows floating in real-world spaces, immersive videos, 3D environments, spatial photos, and more – can only be truly understood by seeing them with your own eyes. That’s why Guest User mode is so vital to the platform.

Guest User was included in the very first version of visionOS, and Apple has iterated on the feature over time, most notably by adding the option to save a guest’s hand and eye data for 30 days in visionOS 2.0 to speed up repeat sessions. With this week’s release of visionOS 2.4, Guest User has received another major update, one that I think Vision Pro users will be very happy about.

Apple Highlights the Mac’s Role in the Creation of Severance

By Devon Dundee

In the wake of last week’s jaw-dropping Severance season two finale, Apple has released a behind-the-scenes video and a Newsroom story showcasing the ways the Mac was used to edit the show. Both feature Severance’s editors discussing the process – creative and technical – behind the show’s editing. It’s worth checking out both pieces because each offers interesting insights into how Severance is made.

The video shows on-set footage of director and executive producer Ben Stiller leading preparation for the season finale’s marching band sequence. It then follows supervising editor Geoffrey Richman’s process of combing through the 70 different camera angle options assembled into a single multicam clip on a Mac to find the right shot for each moment. The video also features insights from editor Keith Fraase and composer Theodore Shapiro about different aspects of the editing process throughout the season, which involved three editors, three assistant editors, and 83 TB of footage.

In the Newsroom story, Geoffrey Richman dives deep into his editing workflow across various Macs. Richman uses a combination of an iMac at home, a MacBook Pro on the go, and a Mac Mini in a post-production studio to get his editing work done. He puts a lot of emphasis on the flexibility the Mac affords him:

I can work on my laptop and I can work on my iMac, and I can work at the post facility or I can work at Ben’s office, and as long as I’m logged into my account, everything I do shows up everywhere… That aspect of Mac I find very handy — to not think about which system I’m physically at.

Richman points out other aspects of working on the Mac, like macOS’ built-in multitasking tools and the MacBook Pro’s HDMI port, that make the Mac the right tool for editing a TV show like Severance.

Lumon Terminal Pro.

You can read the full story on Apple’s Newsroom. The video, Behind the Mac: Editing Severance, is available to stream both on YouTube and, in a fun twist, on Apple’s fake product page for the Lumon Terminal Pro. While our dreams of refining data on a real Terminal Pro have yet to be realized, you clearly can make great TV on a Mac.

Hands-On with Multiple Pinned Item Lists in Callsheet

By Devon Dundee

It’s been over a year and a half since the debut of Callsheet, the app from Casey Liss for looking up information about films and TV shows, and the app has grown a lot in that time. From new app icon variations to more fine-grained spoiler settings to actors’ heights and ages, Callsheet has gained many new capabilities. My favorite addition thus far is the indicator for mid- and post-credit scenes in movies.

The app’s latest update expands greatly upon a feature that’s been present since the beginning: pinned items. Users can now create multiple separate lists of pinned items and organize them to their hearts’ content. As someone who watches quite a bit of TV and covers it regularly, I could certainly benefit from this feature, so I decided to give it a try.

Ted Lasso Renewed for a Fourth Season on Apple TV+

By Devon Dundee

Apple has officialy renewed its hit comedy series Ted Lasso for a fourth season on Apple TV+ with series star and executive producer Jason Sudeikis returning. Sudeikis even offered a small hint of what viewers can expect:

As we all continue to live in a world where so many factors have conditioned us to “look before we leap,” in season four, the folks at AFC Richmond learn to LEAP BEFORE THEY LOOK, discovering that wherever they land, it’s exactly where they’re meant to be.

Sudeikis also appeared on the New Heights podcast today, mentioning that his character Ted will coach a women’s football team in the next season. This information was exclusively revealed on MacStories’ own Magic Rays of Light podcast in February.

Season four is currently being written. The creative team behind the show, including executive producers Bill Lawrence, Brett Goldstein, Brendan Hunt, and Joe Kelly, is returning alongside new executive producer Jack Ruditt. The series, based on the preexisting format and characters from NBC Sports, won 13 Emmy awards over its first three seasons, including back-to-back wins for Outstanding Comedy Series.

Other details about season four, including its full cast and anticipated release date, are currently unknown. But for fans of Ted Lasso, this official renewal is an exciting progression after many months of rumors that the show would return. Sometimes, the hope doesn’t kill you.

Apple Introduces the New MacBook Air

By Devon Dundee

Today, Apple announced the new MacBook Air with the M4 chip, a new sky blue finish, and a reduced starting price. This update brings the latest generation of Apple silicon to the MacBook Air while keeping the external hardware mostly the same – save for a new color option.

The M4 chip comes with a 10-core CPU, an 8-core GPU (configurable up to ten cores), 16-core Neural Engine, 16 GB of RAM (configurable up to 32 GB), and 256GB of storage (configurable up to 2TB), offering up to 2x the speed of the M1 chip according to Apple’s metrics. The new chip enables the MacBook Air to output to two external 6K displays in addition to its attached display, which remains available in 13-inch and 15-inch variants. The device’s built-in LED Liquid Retina display remains unchanged at 500 nits of brightness and 224 pixels per inch.

The MacBook Air’s I/O includes two Thunderbolt 4 ports (upgraded from the previous generation’s Thunderbolt 3/USB 4 ports) a MagSafe 3 charging port, and a headphone jack. It also continues to feature Touch ID, Wi-Fi 6E, and Bluetooth 5.3. Apple claims the M4 MacBook Air can run for up to 18 hours on a single battery charge.

The device’s camera has been upgraded to the improved 12MP version seen on last year’s MacBook Pros. It records video at 1080p resolution and supports Center Stage as well as Desk View.

The most noticeable change to the device is the new sky blue color option, which replaces space gray. Apple describes the finish as “a beautiful, metallic light blue that creates a dynamic gradient when light reflects off of its surface.” The MacBook Air is also available in starlight, midnight, and silver.

With this update, Apple has lowered and simplified the MacBook Air’s pricing structure. The M4 MacBook Air starts at $999 ($899 for education) for the 13-inch model and $1,199 for the 15-inch model. Previously, those starting prices were reserved for older MacBook Airs, not the latest generation, with current-gen models costing $100 more. Now, MacBook Air purchasers don’t have to choose between the newest chip and the best price.

While this update to the MacBook Air is mostly about the M4, that chip does bring along some niceties, and the upgraded camera and new color option are welcome additions as well. Add the new, lower price point on top of those changes, and this is an upgrade worth getting excited over for those in the market for a MacBook Air.

The new MacBook Air is available for preorder now with deliveries and in-store availability starting March 12.

Apple Reveals New Magic Keyboard for iPad Air

By Devon Dundee

Alongside today’s announcement of the M3 iPad Air and A16 iPad, Apple also revealed the all-new Magic Keyboard for iPad Air. The iPad Air line has traditionally inherited previous versions of the Magic Keyboard for iPad Pro, so this Air-exclusive version is a first. It offers some of the new features that came to the iPad Pro’s Magic Keyboard last year as well as an interesting set of tradeoffs when compared to the Pro model.

The Magic Keyboard for iPad Air adds a 14-key function row above the number keys for adjusting screen brightness, controlling volume and audio playback, and more. It also features a larger trackpad than the previous version for the iPad Air as well as the new hinge design introduced on the Magic Keyboard for iPad Pro last year. As before, it connects to the iPad Air via the Smart Connector and includes a single USB-C port for passthrough charging.

It’s great to see these features from the iPad Pro’s Magic Keyboard make their way to the iPad Air. At the same time, the Air version does include some compromises, most notably its omission of backlit keys. It also lacks the aluminum palm rest and trackpad haptic feedback found on the Magic Keyboard for iPad Pro, and it only comes in a single color option: white.

The iPad Air’s Magic Keyboard is marginally cheaper than the iPad Pro version (and the Magic Keyboard for last year’s iPad Air), costing $30 less at $269 for the 11-inch version and $319 for the 13-inch version. It’s compatible with a far wider range of devices, too. While the Magic Keyboard for iPad Pro only works with the latest M4 models, the iPad Keyboard for iPad Air works with the new M3 models, last year’s M2 versions, and models going back to 2020.

This new keyboard offering for the iPad Air is a mixed bag, but I think it’s a net positive. Apple is taking a step towards simplifying the iPad accessory lineup by clearly separating iPad Air features from iPad Pro features. It will be an adjustment for Air owners who are used to getting all of the features of the previous-gen iPad Pro keyboard, but it sets a clear expectation for what Apple thinks the iPad Air experience should be.

The Magic Keyboard for iPad Air is available to preorder today with deliveries and in-store availability starting March 12.

Apple Releases Immersive Short Film Submerged and Announces Upcoming Immersive Content

By Devon Dundee

Alongside today’s debut of Submerged, the first scripted film captured in Apple Immersive Video, Apple also released a behind-the-scenes look at the film as well as details of immersive content coming to Apple Vision Pro users in the U.S. later this year. The Making of Submerged offers an inside look at the process behind shooting the immersive film. Writer/director Edward Berger and director of photography James Friend break down the unique considerations that went into telling a story in this new format.

Apple offered even more insight into the creative process behind Submerged:

Shot on location in Prague, Brussels, and Malta over three weeks, Submerged was filmed using a full-scale 23-ton submarine set made with real steel, brass, and metal that was modeled after WWII-era vessels. Significant portions of the set were built to withstand being fully submerged, and featured practical camera traps and special effects that were uniquely rigged to expose Apple Immersive Video cameras to sparks, steam, water, and fire without breaking viewers’ sense of immersion. Cast members who might appear out of frame or focus in a 2D feature were meticulously scripted, and participated in extensive stunt rehearsals, including freedive training in dive tanks and open water, to maintain continuity and realism.

It’s both fascinating and inspiring to see the ways the creative team behind Submerged adapted traditional filmmaking techniques to meet the challenges and embrace the opportunities of immersive video. The film itself is now available for Vision Pro owners to stream for free in the TV app in Australia, Canada, France, Germany, Hong Kong, Japan, Singapore, the U.K., and the U.S.

Apple has more immersive content on the way for Vision Pro users in the U.S. later this year, too, with global availability to follow. Here’s what fans of immersive video can expect:

2024 NBA All-Star Weekend: an immersive short film featuring footage from the event, including the Slam Dunk contest, the first-ever NBA vs. WNBA 3-Point Challenge, Stephen vs. Sabrina, the Rising Stars game, and highlights from the All-Star Game (available next Friday, October 17)
The Weeknd: an immersive music video for a new song from The Weeknd’s upcoming album, Hurry Up Tomorrow (available in November)
Adventure: a new episode of the extreme sports series centered on freediver Ant Williams’ attempt to best his record for the longest distance under ice with just a single breath (available in December)
Concert for One: a new concert series featuring intimate performances from the world’s biggest artists, starting with British singer-songwriter RAYE (available later this year)

The first episode of aerial travel series Elevated, featuring a trip around the islands of Hawai’i, is being made available outside the U.S. today. And early next year, Apple will release another episode of Elevated taking viewers on a crisp autumn journey through Maine’s winding coastlines and beautiful rivers, as well as a new episode of Adventure that follows sport climber Kai Lightner as he free-solo climbs over the rocky coves of Majorca, Spain.

All of these immersive video releases sound exciting, and I look forward to experiencing them. With lack of content being a primary concern among Vision Pro owners, it’s good to see new releases scheduled at a regular pace to keep users engaged. Based on today’s announcements, we have lots of immersive content to look forward to in the coming months.

Submerged, Apple’s First Scripted Immersive Film, Is Coming This Thursday →

Linked By Devon Dundee

Today, Apple released the trailer for Submerged, a short film from director Edward Berger (All Quiet on the Western Front) that the company is touting as the first scripted film created using its Immersive Video format. Available free this Thursday exclusively on Apple Vision Pro, the 17-minute thriller follows a WWII submarine crew combating a harrowing torpedo attack.

With its 3D, 8K footage displayed in a 180-degree field of view combined with Spatial Audio, Apple Immersive Video is one of the highlights of the Vision Pro experience. Thus far, we’ve only seen it used in nonfictional contexts, including nature, travel, and sports. It will be intriguing to see how the format works for a fictional, scripted story.

I’m glad the company is continuing to release immersive content for Vision Pro owners to enjoy at what seems to be a monthly pace, and I hope to see more storytellers given the opportunity to show what’s possible with this new format soon. It’s early days, and the potential is certainly there for finding creative new ways to engage audiences. I’m excited to see what happens when Immersive Video takes the plunge into fiction.

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visionOS 2: The MacStories Review

By Devon Dundee

In the lead-up to this year’s WWDC, it was hard to predict what an update to visionOS would look like. After all, the initial version had only shipped four months earlier when Apple Vision Pro became available for purchase in the United States. Given how late in the software cycle visionOS 1 shipped, it was reasonable to wonder if there would be a visionOS 2 announced at all, and if so, how much it could realistically add to an operating system that had just debuted the previous quarter.

Of course, Apple’s software cycle waits for no one, so like watchOS before it, visionOS is receiving a 2.0 version rapidly on the heels of its initial release. But the shortened development window doesn’t mean that this update isn’t a significant one. I believe that the 2.0 moniker is well deserved based on the features and enhancements included in this release, especially given the quieter updates across all of Apple’s platforms this year in the wake of Apple Intelligence.

visionOS 2 moves spatial computing forward with an array of welcome quality-of-life improvements, deeper integration with some of Apple’s other platforms, additional tools for developers to create spatial experiences, system app updates in line with Apple’s other platforms, and a new way to experience photos that you have to see to believe. The combination of user experience refinements and new features makes for a solid update that Vision Pro users are definitely going to notice and enjoy.

Some of the changes we’ll dive into feel so obvious that you might wonder why they weren’t included in visionOS to begin with. Having used Vision Pro almost daily since it was released, I fully understand the sentiment. But then I remember that the iPhone didn’t gain the ability to copy and paste text until iPhone OS 3, and I’m reminded that developing new platforms takes time – even for a company as big as Apple.

So while some might seem basic, many of the changes included in visionOS 2 improve users’ experiences in significant ways every time they interact with the platform. The end result is a smoother, more intuitive operating system that will delight Vision Pro believers and, if Apple has its way, convince more skeptics to take the plunge into spatial computing.

Let’s jump into what visionOS 2 has to offer.

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