Ryan Christoffel

684 posts on MacStories since November 2016

Ryan is an editor for MacStories and co-hosts the Adapt podcast on Relay FM. He most commonly works and plays on his iPad Pro and bears no regrets about moving on from the Mac. He and his wife live in New York City.

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Apple Debuts AirPods Pro, a New Premium Model with Noise Cancelling

Today Apple announced a new, premium model of AirPods which is now available for purchase: AirPods Pro. Rather than replacing the existing second-generation AirPods, Apple is launching AirPods Pro as a separate option for users who want the premium features included in the new Pro model: active noise cancelling, water and sweat resistance, Transparency, and Adaptive EQ. AirPods Pro can be ordered now for $249, and will be in stores on October 30th, just in time for the holiday shopping season.

The new AirPods Pro use two microphones, one that faces outward and one that faces toward the ear for active noise cancellation, adapting the signal 200 times per second. Transparency mode uses the microphones to allow users to listen to music while also hearing their surroundings.

When fitting the AirPods Pro for the first time:

… advanced algorithms work together with the microphones in each AirPod to measure the sound level in the ear and compare it to what is coming from the speaker driver. In just seconds, the algorithm detects whether the ear tip is the right size and has a good fit, or should be adjusted to create a better seal.

The AirPods Pro also use a new feature called Adaptive EQ that:

automatically tunes the low- and mid-frequencies of the music to the shape of an individual’s ear — resulting in a rich, immersive listening experience. A custom high dynamic range amplifier produces pure, incredibly clear sound while also extending battery life, and powers a custom high-excursion, low-distortion speaker driver designed to optimize audio quality and remove background noise. The driver provides consistent, rich bass down to 20Hz and detailed mid- and high-frequency audio.

The AirPods Pro have changed the way music playback and phone calls are controlled too:

Switching between Active Noise Cancellation and Transparency modes is simple and can be done directly on AirPods Pro using a new, innovative force sensor on the stem. The force sensor also makes it easy to play, pause or skip tracks, and answer or hang up phone calls. Users can also press on the volume slider in Control Center on iPhone and iPad to control settings, or on Apple Watch by tapping on the AirPlay icon while music is playing.

According to Apple, the AirPods Pro case provides total battery lasting 24 hours playing music and 18 hours talking on an iPhone, while a single charge of the AirPods Pro provides 5 hours of music listening with noise cancellation off and 4.5 with it turned on. Like the second-generation AirPods, the Pro model also features the H1 chip and can be charged wirelessly with a Qi charger. The AirPods Pro come with a USB-C to Lightning cable and require iOS 13.2.

Earlier this year Apple debuted the first follow-up to the original 2016 AirPods model, changing very little about the device: the second-generation AirPods offered always-on Hey Siri support, an optional wireless charging case, and some connectivity improvements. By contrast, AirPods Pro represent a true evolution for the AirPods line.

It makes sense, however, that the new model doesn’t replace its predecessor, but merely accompanies it in an expanded lineup. Most AirPods customers likely don’t want or need noise cancelling functionality, so the standout feature of AirPods Pro is targeted toward a smaller niche of customers. Following Apple’s pattern with its other products, there’s now a mass-market, lower-cost version of AirPods and a Pro model that offers something extra, but at a higher price tag.

One area Apple could have differentiated AirPods Pro even further is by providing new color options, but white remains the only available finish. As nice as a darker shade would be, from a marketing standpoint it’s hard to argue against maintaining the status quo with AirPods’ iconic white finish. When your product can be effortlessly recognized in public, you don’t change that.


Apple TV+ Review Roundup: Apple’s Originals Met with Mixed Reception

Apple’s streaming video service, Apple TV+, launches this Friday, November 1st. Ahead of its launch, today the first reviews dropped for the service’s tentpole originals: The Morning Show, See, For All Mankind, and Dickinson. Overall the critical takes are extremely mixed: though I haven’t seen any reviews that are outright negative, and there are a few which are very positive, the majority of reviews seem to lie somewhere in-between those two extremes.

For All Mankind appears the best-received Apple series, with Dickinson perhaps the second most-praised; however, that may be due to the added pressure placed on The Morning Show and See as Apple’s top two draws. Though many reviewers found things to praise about each show, such as Jennifer Aniston’s strong performance in The Morning Show, and the incredible visuals of See, the majority of their critical emphasis was on the ways these series fail to live up to high expectations.

One common note struck by reviewers is that with most Apple TV+ shows, only three episodes per series were provided for review, which made it difficult to adequately evaluate each first season. Perhaps tellingly, For All Mankind had the most episodes screened for critics, and it’s the most-praised show.

Below is a roundup of excerpts from various reviews that help provide a good overview of what to expect from Apple’s first original series.

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Apple’s TV App Arrives on Amazon Fire TV Devices

Benjamin Mayo, reporting for 9to5Mac:

Apple today released the Apple TV app for Amazon TV devices, starting with the Amazon Fire TV Stick 4K and the older HD model. Support for Amazon Fire TV Cube, Fire TV (3rd generation penchant design) and some other models is coming soon.

The TV app experience on Amazon’s platform mirrors the functionality of the Roku app, which launched last week. Users can watch their purchased iTunes movies and TV shows, access Apple TV Channel subscriptions and watch Apple TV+ content when the streaming service launches on November 1st.

This isn’t a surprise, as the impending launch of Apple TV+ meant all previously-announced TV app platforms were likely to arrive before November 1st. Now that the app is available on Roku and Fire TV devices, plus Samsung TVs, the only platforms still waiting for support are smart TV sets from LG, Vizio, and Sony.

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Todoist Foundations: Key Refinements Modernize the Popular Task Manager

Today Todoist has launched a major update across all platforms under the branding Todoist Foundations. That name implies a complete ground-up revision to the app, and while that’s accurate in terms of under-the-hood code changes, from a user-facing standpoint this is still the Todoist you know, but with a variety of new features: project sections, a dynamic add button, new task and sub-task views, and more. Todoist’s team also says that Foundations lays the necessary coding groundwork for more substantial features that are coming in the future, such as Boards and an Upcoming View.

Todoist didn’t need a big rethinking, but what it did stand to benefit from was design enhancements and streamlining that makes everything quicker, easier to use, and more flexible, and that’s exactly what this release brings. If you haven’t tried Todoist in a while, Todoist Foundations is a compelling reason to give the task manager another try.

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Arcade Highlights: Card of Darkness

Do you like fantasy-themed games? How about Zach Gage’s work – Flipflop Solitaire, Really Bad Chess, Typeshift, SpellTower, etc.? Would a mobile game brought to life by the art of Adventure Time creator Pendleton Ward be of interest to you? If the answer to any of these questions is yes, then Card of Darkness should be one of the first games you download from Apple Arcade.

If you answered no to all three questions, you should probably play Card of Darkness anyways.

Card of Darkness is a roguelike game where each stage contains a grid of stacked cards, with each stack holding a random mix of monsters to defeat, weapons to equip, and potions and treasure to find. There are also magic spell scrolls that help you more easily navigate what can be a treacherous quest to get from the start of the grid to its end. You don’t have to clear every card stack to complete a level, but you do need to forge an open path to the finish line, and every stack you take even a single card from will need to be finished. As you clear each card stack, more stacks further into the grid will be revealed, slowly reducing the amount of cards that stand between you and the end of the grid.

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Roku Devices Gaining Apple TV App Today

Roku announced in a press release that the Apple TV app would be available on its streaming devices starting today:

For the first time ever, Roku users can add the Apple TV app via the Roku Channel Store to discover and watch movies, TV shows and more, including accessing their iTunes video library and subscribing to Apple TV channels directly on Roku devices. Starting November 1, Apple TV+, Apple’s home for all-original shows and movies from the world’s greatest storytellers, will be available on the Apple TV app on the Roku platform.

Like the TV app on Samsung smart TV sets, the Roku version of the app offers access to all iTunes movie and TV show content, as well as all Apple TV channels options, such as HBO, CBS All-Access, and soon Apple TV+. However, content from non-channels like Hulu or Amazon Prime Video, which are accessible on iOS and tvOS devices, will not be present on the Roku version of the TV app because it lacks third-party app integrations. Moving forward though, I expect that all of Apple’s new content partners with the TV app will be full-on channels rather than legacy app integrations.

Earlier this year Apple announced that the TV app would also be arriving on Amazon Fire TV devices and TV sets from more manufacturers, so as we get closer to the November 1 launch of Apple TV+, I expect we’ll see those other vendors all follow Roku’s lead.

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NapBot: Simple Sleep Tracking Powered by CoreML

Sleep tracking is an area of health that Apple hasn’t yet formally moved into, but all signs point to that changing soon. iOS 13 saw the company build more advanced wellness tracking features into the Health app, Beddit was acquired by Apple a couple years ago, and very recently the App Store leaked evidence of a Sleep app that is (or was) in development for Apple Watch. But for the time being, anyone interested in sleep tracking with a Watch or iPhone needs a third-party app.

NapBot is one such app, a new debut from the maker of CardioBot that launched in recent weeks. NapBot applies CoreML to perform automatic sleep tracking when you’re wearing an Apple Watch to bed, the results of which you can then view in either the iPhone or Watch apps.

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Project Geneva: David Smith’s New Approach to Third-Party Watch Faces

Developer David Smith has often expressed a desire to design third-party faces for the Apple Watch, a feature that many users wish Apple offered. But recently, after launching his latest Watch app Geneva Moon (formerly known as Moon++), Smith realized he could take a different view of face customization, inspired by his newest app.

Geneva Moon exists mainly to provide a complication which displays an astronomically accurate representation of the moon. It takes advantage of the new ability in watchOS 6 for Watch apps to be offered independently of iOS counterparts, so you can download Geneva Moon directly from the Watch’s App Store and then install its complication on your watch face. Smith’s experience with this app inspired him to shift his focus from the aspects of watch faces that Apple doesn’t let developers customize, to the extensive areas that they can. He writes:

The Infograph face's customizable areas. (Source: david-smith.org)

The Infograph face’s customizable areas. (Source: david-smith.org)

I have extensive control over what is shown here and for many of the watch faces, this area makes up the vast majority of the screen. Other than the design of the watch hands or appearance of the digital time numerals, I can do a whole lot with the complication tools I already have.

To that end, I’m starting a journey I’m calling Project Geneva, in which I’m going to see just how far I can push customizability and design of complications for the Apple Watch.

Though Apple doesn’t permit the distribution of third-party watch faces, by focusing on creating new complications that can be used across a variety of different first-party faces, Smith will provide users more flexibility in crafting each existing face to their own preferences and needs.

To a degree, third-party faces are already here. An entire watch face can’t be customized, but for those faces which are largely populated by complications – which many are – there exists enormous freedom for developers and users alike to craft their ideal watch face.

I can’t wait to see what new complications are spawned by Project Geneva, and hope other developers may take inspiration from Smith’s new initiative themselves.

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The Future of Apple Music

Sophie Charara interviewed Apple’s Zane Lowe for Wired about where Apple Music is heading next. One answer, interestingly enough, is a greater focus on radio:

Apple doesn’t break out Beats 1 monthly listening figures; various commentators have speculated they are relatively low, the official line is “tens of millions”. What we do know is that one of Lowe’s priorities is to merge the two elements of Apple’s £9.99 a month Music offering: its Spotify-style streaming service and the Beats 1 radio shows.

“I want more people to listen and discover this stuff,” says Lowe. “And I want to integrate what we do at Beats 1 into Apple Music more thoroughly. I would guess there are still subscribers who don’t realise Elton John has done over 200 shows. Those shows are works of art in their own right.”

Apple Music for years has been producing quality radio work, yet the way that’s been surfaced hasn’t been the most discoverable. Promoting existing radio shows in more places sounds like a positive step forward, and I hope another addition would be an option for push notifications when there’s a show you want to listen to live. Apple could put a little bell icon, YouTube-style, on a show’s artwork in the app for enabling such notifications, because unless you schedule a show into your normal routine, you’ll almost certainly never think to listen to it at the right time.

Another potential content area for greater exposure would be the interviews Zane Lowe and his colleagues do with artists regularly, which Apple Music often features in both audio and video forms. To me those interviews feel like a perfect fit for highlighting in Apple Podcasts as well as the Music app. Apple has actually dabbled in that, such as with a Billie Eilish interview earlier this year, but I think it’s an area ripe for expansion.

One other change Apple’s pursuing, according to Lowe, will bring about increased initiatives around live music:

There’s also the matter of how livestreams fit into the picture. After events with Shawn Mendes, French rap group PNL and Tyler the Creator, who did a live performance of his album IGOR, streamed on Apple Music the night before it came out, Lowe says “live music is definitely on the horizon” for the service. It’s all part of the team’s bid to “eventise” – his word – album launches. In the case of Tyler the Creator, “fans can tune in, then after watching it maybe you go to the album.”

Making album launches more of an event could be an effective way to compel a switch to Apple Music over Spotify. If Apple can arrange live content with a wide appeal timed with an album launch, then people will tweet about that live content as it’s being shared, and anyone not on Apple Music will feel like they’re missing out.

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