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Posts tagged with "Apple Pencil"

Jason Snell on Editing Podcasts with Ferrite on an iPad with the Apple Pencil→

Jason Snell has edited a lot of podcasts. In fact, The Incomparable, the flagship show of his media and pop culture podcast network of the same name, just reached episode 500.

Since last summer, Snell has been using Ferrite by Wooji Juice to edit nearly every episode of The Incomparable on his iPad with the Apple Pencil. I’ve heard him describe his iPad and Apple Pencil workflow on podcasts before, but there’s nothing like seeing it in action, which you can now do on the Six Colors YouTube channel.

What struck me most about Snell’s video is how natural direct manipulation of multiple audio tracks looks. I’ve always done all of my podcast editing on a Mac with Logic Pro X, but after watching Snell edit an episode with multiple guests, I look forward to trying this myself.

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Linea Sketch Adopting Subscription Model in 2020→

The Iconfactory has announced that Linea Sketch, its popular iPad sketching app, will be moving from paid up front to a subscription business model. This transition will take place in early 2020 with the release of Linea 3.0.

We tried hard to avoid a subscription, but the costs to maintain the app are much higher than the income from new sales. This is obviously not a sustainable situation! We have two options:

  1. Let the app die a slow, painful, and unsupported death
  2. Find a source of recurring revenue

They mention that the recent 2.7 update to Linea took over 200 hours of work, and most of that time was simply spent adapting the app to work well with iOS 13’s new system dark mode. The cost of simply maintaining the app to function well with system updates is high, and The Iconfactory wants to do much more than just maintain the app. For example, they preview the roster of changes coming to Linea 3.0, which will include a universal app across iPad and iPhone, and the following:

  • Time-lapse to capture your creation as it evolves
  • Templates with adjustable intensity
  • Custom backgrounds with adjustable paper color and texture
  • App themes and beautiful new app icons for your home screen
  • QuickToggle: two-handed drawing is all we’re going to say :-)

Linea’s subscription will cost $.99/month or $9.99/year, and include both the iPad and iPhone versions of Linea, since the two will become a universal app. On a related note, the Mac companion app Linea Link is now available as a free download.

Many users hate seeing the apps they use switch to subscriptions, but sometimes developers truly don’t have much of a choice. As was mentioned above, development costs for Linea are currently much higher than sales revenue, which is clearly an unsustainable situation. Either The Iconfactory finds a sustainable option for Linea, or the app will eventually disappear. And because of Apple’s unwillingness to allow upgrade pricing on the App Store, subscriptions are one of the only viable options.

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Adobe Previews New iPad Drawing and Painting App, Fresco→

Last year around the time Adobe began detailing its forthcoming Photoshop for iPad, the company also shared word of another iPad app it was working on, then called Project Gemini. Today in a blog post, Scott Belsky of Adobe announced Adobe Fresco as the official name of the new drawing and painting app, and detailed one of the features that will make the new app special:

The result is Live Brushes, which use the artificial intelligence of Adobe Sensei to recreate the behavior of oils and watercolors in an amazingly lifelike way. When you paint with a watercolor Live Brush, you’ll see the color bloom into adjacent areas of the paper. Use red and yellow next to each other and they’ll naturally blend into orange at the border. You can even recreate painting with water to dilute some colors and encourage tints to mix.

With an oil Live Brush, you can slather on a thick coat of paint and see the ridges and brush strokes that give the painting dimension. And you can mix different oil colors together to create a varied swirl of color that no digital color wheel could ever provide.

Live Brushes can be seen in action in the video embedded below. Adobe’s aim with Fresco is to provide a tool that scales well in serving users who want a simple drawing tool to those who need the power of features like layers, masking, brush creation, and more. While it’s expected that Creative Cloud subscribers will receive full access to Fresco’s full feature set, Adobe seems to be considering its full spectrum of target users when it comes to pricing. In today’s announcement Belsky notes “anyone with the right hardware will be able to draw and paint in Fresco for free.”

No update was given on Fresco’s release date, other than that it remains “later this year.” With iPadOS 13, Fresco, Photoshop, and the iPad app improvements that are hopefully to come alongside Catalyst projects, it’s going to be an exciting end of the year for iPad.

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2018 iPad Pro to Add Support for the Logitech Crayon in iOS 12.2→

In addition to the new iPad Air and iPad mini, it looks like Logitech’s Crayon stylus, first introduced with the 6th generation iPad last year, will be compatible with the 2018 iPad Pro line too thanks to the upcoming iOS 12.2 software update. Jason Snell writes:

Over at 9to5 Mac, Zac Hall noticed that a few of us—at least myself and Nilay Patel from the Verge, and possibly others—have been passing along an interesting new iPad tidbit after meeting with Apple about the new iPad models this week. I realize that people may have missed the brief parenthetical in my Macworld story this week, so it’s worth restating here…

Logitech’s $70 Crayon, an interesting stylus that originally was available for education only and worked only with the sixth-generation iPad, will now be supported by all of Apple’s current iPad models. So not only do the new iPad Air and iPad mini work with the Crayon, but so does my 12.9-inch iPad Pro running a beta version of iOS 12.2, which should be released next week.

(I haven’t been able to test if earlier iPad Pro models will also add compatibility via this update, or if compatibility is limited to the 2018 and 2019 models.)

If you don’t like the design of the new Apple Pencil and would rather use a thicker stylus based on the same drawing tech but that charges via Lightning, the Crayon is a very good alternative to Apple’s device. Just keep in mind the differences between them.

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Moleskine Flow Review: An Elegant, Accessible Digital Notebook for iPad and iPhone

One strength of an analog notebook is its simplicity. The times in my life when I’ve used a notebook regularly, I would always keep a pen attached to the notebook so that the process of writing involved just two simple steps: open the cover, and press pen to paper. Many digital notebook apps forfeit this simplicity due to overly complex interfaces and toolsets.

Moleskine’s new app, Flow, is a digital notebook that understands what it takes to succeed as a notebook replacement – giving you the tools to customize your experience to your own preferences. It’s available on both iPad and iPhone, and offers an elegant balance of convenience and flexibility that make it my favorite digital notebook to date.

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Linea Sketch Adds Fill, Blend, ZipShape, and Versioning Features

I’m not much of an artist, but I like to take notes, doodle, and create freehand mind maps with the Apple Pencil. With a rich set of paper options and templates to choose from and tools that don’t require a manual to understand, Linea Sketch has become one of my go-to brainstorming tools.

With each update, the app has added functionality that makes it more powerful and flexible without increasing complexity. Version 2.5, which is out today, continues that trend with four new core features, support for Apple Pencil gestures, a new background paper, and other refinements.

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Penny Arcade’s Mike Krahulik on Drawing on the New iPad Pro→

Mike Krahulik, writing on the Penny Arcade blog:

The previous Apple Pencil had a little lightning adapter where its eraser would be. This was covered by a tiny plastic cap about the size of a child’s tooth. In order to charge the pencil you removed this cap and plugged the pencil into the lightning port on the bottom of your iPad. This was dumb for a lot of reasons.

For one thing, it meant you could not charge your iPad while the pencil was charging. You also had to try not to lose this tiny little pencil cap. It also was an incredibly fragile connection that always felt like it was about to break. It also looked incredibly stupid. But now! The new Apple Pencil attaches to the side of your iPad thanks to the magic of magnets! This is also how it syncs and charges. I will be honest with you and admit that after using my old iPad for eight solid months every single day, I had no idea how to check the battery level of the pencil. I never knew it was low until it was time to charge the damn thing. Now when you snap your pencil onto the side of the iPad, a little bubble shows you the battery life. Brilliant! The Pencil itself also feels better in my hand and has a touch sensor on it. You can now double tap the pencil with your finger and this functionality can be customized.

The machine feels lightning fast now as well. I can’t believe some of the multitasking I’ve been able to pull off. I sent this pic to Kiko the other night because I was drawing in Clip Studio while I had a show running in a floating window off to the side.

Great reminder that professional work on iPads doesn’t necessarily mean typing or coding. I also discovered Clip Studio through his post, which looks like a powerful, desktop-class manga drawing app that’s already been updated for the 2018 iPad Pros. Make sure to check out Krahulik’s work on Instagram too.

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Jony Ive Reflects on the Design of the New iPad Pros, Apple Pencil, and MacBook Air in a New Interview→

Jony Ive, Apple’s Chief Design Officer, sat for an interview with David Phelan of The Independent to talk about designing Apple products in general and the new iPad Pros, Apple Pencil, and MacBook Air in particular.

On redesigning successful products Ive said:

Because when a product has been highly regarded there is often a desire from people to see it redesigned. I think one of the most important things is that you change something not to make it different but to make it better.

If you are making changes that are in the service of making something better, then you don’t need to convince people to fall in love with it again. Our sense of habit and familiarity with something is so developed, there is always that initial reaction that is more of a comment on something being different rather than necessarily better or worse. In my experience, if we try very hard to make material improvements, people quickly recognise those and make the sort of connection they had before with the product.

Ive also revealed that the original iPad was designed to be used primarily in a portrait orientation, while the new iPad Pros have no orientation:

So, in the new iPad Pro, one of the things we’ve been wanting to get to for a long time is a sense that the product is not oriented in a primary and then, therefore, in a secondary way.

The first iPad had a very clear orientation which was portrait. It had the ability to be used in landscape, I think very well, but it was pretty clear how the product was designed. And I think with the first iPad you had the sense that it was a product made up of distinct and somewhat separate components.

What I think marks the new iPad Pro as particularly special is it doesn’t have an orientation. It has speakers all the way around the perimeter. By getting rid of the Home Button and developing Face ID, the tablet is able to work in all of these different orientations.

On the Apple Pencil, Ive describes how its design abstracts away the underlying technical complexity to focus the user on the task at hand:

I think the way it just snaps onto the side, well, that’s a nice example of a sort of that magical feeling. It’s unexpected, we don’t quite understand how it’s working and even more incomprehensible is the fact that it’s also charging. You can see how that’s aligned with this idea that you can just pick the product up and use it without thought.

Actually, you’re using it with tremendous thought, but it’s based on what you want to be doing rather than wondering if you’re holding the tablet the right way up.

Phelan’s interview is full of many other wonderful insights and tidbits about the products Apple revealed earlier this week in New York and should be read in its entirety.

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