Posts tagged with "camera"

Recording Video and Gaming: A Setup Update→

It’s been a couple of months since I updated my desk setup. In that time, I’ve concentrated on two areas: video recording and handheld gaming.

I wasn’t happy with the Elgato Facecam Pro 4K camera, so I switched to the iPhone 16e. The Facecam Pro is a great webcam, but the footage it shot for our podcasts was mediocre. In the few weeks that I’ve moved to the 16e, I’ve been very happy with it. My office is well lit, and the video I’ve shot with the 16e is clear, detailed, and vibrant.

The iPhone 16e sits behind an Elgato Prompter, a desktop teleprompter that can act as a second Mac display. That display can be used to read scripts, which I haven’t done much of yet, or for apps. I typically put my Zoom window on the Prompter’s display, so when I look at my co-hosts on Zoom, I am also looking into the camera.

The final piece of my video setup that I added since the beginning of the year is the Tourbox Elite Plus. It’s a funny looking contraption with lots of buttons and dials that fits comfortably in your hand. It’s a lot like a Stream Deck or Logitech MX Creative Console, but the many shapes and sizes of its buttons, dials, and knobs set it apart and make it easier to associate each with a certain action. Like similar devices, everything can be tied to keyboard shortcuts, macros, and automations, making it an excellent companion for audio and video editing.

On the gaming side of things, my biggest investment has been in a TP-Link Wi-Fi 7 Mesh System. Living in a three-story condo makes setting up good Wi-Fi coverage hard. With my previous system I decided to skip putting a router on the third floor, which was fine unless I wanted to play games in bed in the evening. With a new three-router system that supports Wi-Fi 7 I have better coverage and speed, which has already made game streaming noticeably better.

Ayn Odin 2 Portal Pro. Source: Ayn.

Ayn Odin 2 Portal Pro. Source: Ayn.

The other changes are the addition of the Ayn Odin 2 Portal Pro, which we’ve covered on NPC: Next Portable Console. I love its OLED screen and the fact that it runs Android, which makes streaming games and setting up emulators a breeze. It supports Wi-Fi 7, too, so it pairs nicely with my new Wi-Fi setup.

A few weeks ago, I realized that I often sit on my couch with a pillow in my lap to prop up my laptop or iPad Pro. That convinced me to add Mechanism’s Gaming Pillow to my setup, which I use in the evening from my couch or later in bed. Mechanism makes a bunch of brackets and other accessories to connect various devices to the pillow’s arm, which I plan to explore more in the coming weeks.

The 8BitDo Ultimate 2 Controller. Source: 8BitDo.

The 8BitDo Ultimate 2 Controller. Source: 8BitDo.

There are a handful of other changes that I’ve made to my setup that you can find along with everything else I’m currently using on our Setups page, but there are two other items I wanted to shout out here. The first is the JSAUX 16” FlipGo Pro Dual Monitor, which I recently reviewed. It’s two 16” stacked matte screens joined by a hinge. It’s a wonderfully weird and incredibly useful way to get a lot of screen real estate in a relatively small package. The second item is 8BitDo’s new Ultimate 2 Wireless Controller that works with Windows and Android. I was a fan of the original version of this controller, but this update preserves the original’s build quality and adds new features like L4 and R4 buttons, TMR joysticks that use less energy than Hall Effect joysticks, and 2.4G via a USB-C dongle and Bluetooth connection options.

That’s it for now. In the coming months, I hope to redo parts of my smart home setup, so stay tuned for another update later this summer or in the fall.

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Lux’s Sebastiaan de With on the iPhone 16e’s Essential Camera Experience→

As I read Sebastiaan de With’s review of the iPhone 16e’s camera, I found myself chuckling when I got to this part:

You can speculate what the ‘e’ in ‘16e’ stands for, but in my head it stands for ‘essential’. Some things that I consider particularly essential to the iPhone are all there: fantastic build quality, an OLED screen, iOS and all its apps, and Face ID. It even has satellite connectivity. Some other things I also consider essential are not here: MagSafe is very missed, for instance, but also multiple cameras. It be [sic] reasonable to look at Apple’s Camera app, then, and see what comprises the ‘essential’ iPhone camera experience according to Apple.

What amused me was that I initially planned to call my iPhone 16e review the ‘e’ Is for Essential, but I settled on ‘elemental’ instead. Whether the ‘e’ in iPhone 16e stands for either of our guesses or neither really doesn’t matter. Like Sebastiaan, I find what Apple chose to include and exclude from the 16e fascinating.

When it comes to the iPhone 16e’s camera, there are differences compared to the iPhone 16 Pro, which is the focus of Sebastiaan’s review. The 16e supports fewer features than the Pro and the photos it takes don’t reproduce quite as much detail, especially in low-light conditions. There are other differences, too, so it’s worth comparing the review’s side-by-side comparison shots of the 16e to the 16 Pro.

Overall, though, I think it’s fair to say Sebastiaan came away impressed with the 16e’s camera, which has been my experience, too. So far, I’ve only used it to shoot video for our podcasts, and with good lighting, the results are excellent. Despite some differences, the iPhone 16e combined with the wealth of photo and video apps, like Lux’s Halide and Kino, make it a great way to enjoy the essential iPhone photography experience.

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Lux Reveals Plans for Halide Mark III→

Yesterday, the team at Lux announced that they are working on the next major release of their pro camera app, Halide, which will be dubbed Halide Mark III. The next iteration of Halide, which Lux hopes to release in 2025 will focus on three areas:

  • Color Grades: Like Kino, their App Store iPhone App of the Year for shooting video, Lux plans to add custom color grading to Halide.
  • HDR: Lux is developing its own implementation of High Dynamic Range that will give Halide’s photos “a thoughtful and nuanced HDR look.”
  • Redesign: Although Lux has not revealed any details, Halide will be redesigned, which should include a focus on color grading.

In addition to upcoming features, Lux announced a new community Discord for Halide and Kino, to collect feedback from customers and to allow them to share their interest in photography. The Discord and social media will also be where users can participate in the Halide and Kino 52-Week Challenge:

Every week you’ll get a photography challenge on our Discord. We’ll also include resources to help with the challenge — like app-specific tips. The challenge will be shared there and on our social media. Once you’ve got your shot, you can share your shots and see what the rest of the community came up with.

I love both Halide and Kino, and I’m intrigued by Lux’s new approach to development. Running a community can be challenging, but I expect the feedback Lux gets from users will be invaluable, as they work on the next big update to one of the App Store’s best camera apps.

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Austin Mann’s iPhone 16 Pro Camera Review→

Unlike most reviewers who were given an iPhone to test, Austin Mann didn’t head home, he headed to Kenya. Mann, whose iPhone camera reviews we’ve covered many times in the past, took the new iPhone 16 Pro on safari (not the browser), photographing a variety of wildlife, landscapes, and people. The video Mann shot of the trip is stunning:

Both the video and Mann’s accompanying article and photographs do more than just showcase the kind of shots that are possible with the iPhone 16 Pro. They both go in-depth about the new features and what each means to photographers:

The iPhone 15 Pro had the same 13mm (.5x) ultra-wide lens, but the sensor was only 12 megapixels—just 25% of the resolution of the 24mm (1x) lens. Over the past year, especially while working with the iPhone 15 Pro, I often found myself torn. Sometimes I wanted the wider perspective, but I didn’t want to sacrifice resolution. I was thrilled when the new Ultra Wide was announced with 48 megapixels, and it certainly doesn’t disappoint.

An added bonus is that the iPhone’s Macro mode also uses the Ultra Wide camera, meaning Macro shots are now 48 megapixels as well. The detail is remarkable, and the iPhone 16 Pro might just be my new favorite camera for macro photography.

Mann likes the Camera Control button for quick access to the Camera app, too, but found that in circumstances like shooting from a helicopter, it could be hard to operate.

The video and post are both worth spending time with. You’ll learn what the new cameras in the Pro iPhones can do and perhaps be inspired to go out and try the new features yourself.

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Manual Camera App Halide Introduces Process Zero, a New Unprocessed Image Capture Mode

Images taken using Process Zero. Source: [Lux](https://www.lux.camera/introducing-process-zero-for-iphone/).

Images taken using Process Zero. Source: Lux.

Today, Lux released an update to Halide, its manual control camera app. The marquee feature is Process Zero, a mode that allows photographers to take images with no algorithmic or AI processing. As Lux’s Ben Sandofsky explains it:

Process Zero is a new mode in Halide that skips over the standard iPhone image processing system. It produces photos with more detail and allows the photographer greater control over lighting and exposure. This is not a photo filter— it really develops photos at the raw, sensor-data level.

The result is that it’s possible to capture finer details than a processed photo under some conditions. The resulting image is a RAW file that’s 12 MB, significantly smaller than a ProRAW photo. In addition to Process Zero, the Halide team introduced Image Lab, a feature accessed from your Halide photo library, that offers a single dial element for adjusting your RAW photos.

Process Zero comes with some tradeoffs as explained in depth in Sandofsky’s post. The images it produces are “less saturated, softer, grainier, and quite different than what you see from most phones.”

I’ve had limited time to try Process Zero, but it was immediately apparent that the process of taking photos is different and harder compared to relying on the iPhone’s image processing. The feature requires a more deliberate, attentive approach to Halide’s manual camera settings to get a good shot. That’s not necessarily a bad thing, but it is clearly different, and I imagine it’s also probably the best way to really learn how the app’s manual camera settings work.

I also appreciate that the Halide team is taking a human-focused approach to photography at a time when so many developers and AI companies seem all too willing to cast aside photographers in favor of algorithms and generative AI. Process Zero’s approach to photography isn’t for everyone, and I expect most of the time, it won’t be for me either. However, I’m glad it’s an option because, in the hands of a skilled photographer, it’s a great tool.

If you’re interested in checking out Halide’s new Process Zero and Image Lab features, which are the foundation of what will become Halide Mark III, the app is currently on sale. For the rest of this week, Lux is offering Halide membership subscriptions for $11.99 per year, which is a 40% discount. The app is also available as a one-time $60 purchase.

Insta360 Brings the X4 to Apple.com and Releases the Flow Pro Gimbal

Insta360 X4. Source: Insta360.

Insta360 X4. Source: Insta360.

Insta360 has had a busy week. Earlier this spring, the company released the X4, an advanced 360º action camera, which became available at Apple.com for the first time last week. Then this week, the company released the Insta360 Flow Pro, an AI-powered gimbal for smartphones, including the iPhone. I haven’t had a chance to try either gadget yet, but both caught my eye for different reasons.

First, the Insta360 reminds me of the company’s One X2 that I reviewed a few years ago. As action cameras go, that was a great little device that took excellent video and photos for something so compact.

Source: Insta360.

Source: Insta360.

Three years later, the Insta360 X4 goes much further. The candy bar-shaped camera is capable of 8K video at 30 fps and has a 2290mAh battery that Insta360 says lasts for 135 minutes, which is impressive if it bears out in real-world use. The bundle being sold on Apple.com, includes the camera, a lens cover, a carrying case, a 256GB microSD card, a USB-C cable, and the company’s Invisible Selfie Stick accessory. That last item is key because, through the magic of software, it can be removed from any scene you shoot, creating a third-person perspective without needing someone else to operate the camera.

The X4 also features a 2.5” screen that is protected by Corning Gorilla Glass. Plus, it can take 360º photos, capture different cinematic styles of video like slow motion, and be controlled with voice and hand gestures, making it an intriguing choice for solo creators. The X4 is also available on Amazon.

The Insta360 Flow Pro. Source: Insta360.

The Insta360 Flow Pro. Source: Insta360.

Smartphone gimbals have come a long way too. I tried a DJI Osmo 2 gimbal years ago, but it was bulky and difficult to calibrate accurately. Insta360’s new Flow Pro looks like it solves a lot of those friction points. The gimbal, which will stabilize video taken with an iPhone or other smartphone using AI, folds up, saving room in your bag. It also doubles as a tripod with a flip-out base that allows you to set it up to film yourself or others nearby tracking you to keep you framed in the scene. For iPhone users, the Flow Pro uses DockKit, the API introduced by Apple in 2023, that coordinates shots with the gimbal stabilizing them and keeping you in the frame. The only other iPhone accessory that I’m aware of that does this is the Belkin Auto-Tracking Stand Pro with DockKit, which is a tabletop or desktop device, not a gimbal. The Flow Pro, which is available on Insta360s’ website, also offers a fast, integrated pairing process for iPhone users.

It’s summer, which means I and a lot of others will be traveling, and both of these devices strike me as compelling travel companions. The X4 offers high-resolution video, 360º images, and a plethora of cool software tricks for creating unique videos. Meanwhile, the Flow Pro is the kind of accessory that allows you to take the camera you always have with you and use it in new and creative ways, extending its utility. I’m hoping to get a chance to test one or both devices later this summer and will report back.

Kino First Impressions: An iPhone Video Camera App from the Makers of Halide

I’ve been playing around with Kino, a video camera app by Lux, on and off for the past day. That’s not long enough to do a full review, so instead, I got up this morning and headed out for a walk with Kino in tow to see what the default experience is like. The short answer is it’s excellent. Kino is designed to work well out of the box for a novice like me but offers manual controls for someone who needs less hand-holding. It’s similar to Lux’s approach to Halide, the company’s pro camera app, and my early experience with Kino has been just as good as it’s been with Halide.

Kino and Halide share a similar design aesthetic, so if you’ve ever tried Halide, you’ll have no trouble finding your way around Kino’s UI. There’s a record button at the bottom of the screen flanked by a button to access the video you’ve taken, which can be stored in your photo library or in the Files app, and a button for the app’s Instant Grade feature. At the top of the screen are controls for resolution, frame rate, and format presets, as well as a ‘Custom’ option. The top of the screen is where you’ll also see your audio levels and a button for switching between automatic and manual exposure. Just beneath the viewfinder are controls for toggling auto and manual focus, picking your camera lens, and a button for accessing additional controls and the app’s settings.

Like Halide, Kino also comes with a set of guides to get you started, which I haven’t tried yet because they weren’t available in the beta version of the app. However, if they’re anything like Halide’s guides, I expect they’ll be worth checking out if you’re new to shooting video and want to get the most out of Kino.

Some of Kino's built-in color presets.

Some of Kino’s built-in color presets.

The app shoots beautiful video by default. Here’s an example of a short walk through Davidson College’s campus using all default settings, the iPhone 15 Pro Max’s Ultra Wide lens, and no post-processing.

The marquee feature of Kino is its Instant Grade. The app also comes with a collection of built-in color presets that you can preview in the viewfinder, making it easy to find one that fits your needs. The collection that comes with Kino has been created by video experts, including Stu Maschwitz, Sandwich Video, Evan Schneider, Tyler Stalman, and Kevin Ong. But you’re not limited to the presets that come with Kino. You can also import any LUT using the app’s integration with the Files app.

I visited a nearby lake and shot some video with Kino’s default settings enabled, and then tried each of its color presets:

The app also implements something Lux calls AutoMotion, which applies an exposure logic that gives video a cinematic feel. It’s another feature that just works out of the box for novices who don’t want to dig deeper. However, you always have the option to vary from the defaults, adjusting settings manually.

My first-run experience with Kino was great. I didn’t explore the app before heading out the door this morning, yet I had no trouble figuring out the basics and shooting video that looks good with no processing whatsoever. With more practice and some post-processing, I’m sure the results would look even better, but I love how well my video turned out with minimal effort. I’m planning to spend more time with Kino over the summer and look forward to checking out Lux’s guides to improve my video skills.

Kino is available on the App Store for a one-time price of $9.99, which is a short-term launch price. In a few days, the app will be $19.99.

The Continuity Camera and ‘Unlock With Apple Watch’ Conspiracy

Continuity Camera is amazing. Since it was introduced in macOS Ventura, I’ve been using the feature almost daily. Continuity Camera is a native feature on macOS that lets you use an iPhone as your webcam. For it to work, you can either connect the iPhone to your Mac using a cable, or use it wirelessly if both devices are signed in with the same Apple ID. It’s quite impressive that, despite having to rely so often on video calls for work, I still don’t own a webcam today. Instead, the camera I use at my desk is an old iPhone SE (2nd generation), which was my partner’s main iPhone until they upgraded last year.

Over the past few months, however, the number of video calls I have needed to take on a daily basis has become critical. As an activist, part of my work now also involves conducting online training sessions with sometimes up to a hundred participants at a time. I just couldn’t afford to join one of those sessions and not have my camera working. Continuity Camera became a feature that I need to work reliably. Sadly, it doesn’t. Half of the time, apps like Zoom and Discord on macOS could not see the iPhone SE in the list of available cameras. This meant I had to fetch a Lightning cable to manually connect the iPhone. If I was unlucky that day, and that didn’t work, I would have to completely reboot the Mac. If I was really unlucky that day, and even that didn’t work, I would end up joining the call without a camera. Despite meeting all the requirements listed by Apple Support, this problem just kept happening on random occasions.

I had to find a fix for this bug, or at least a way to work around it.

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