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Posts tagged with "camera"

Detail Duo and Detail for Mac: A Modern, Machine Learning-Powered Approach to Video

It’s harder than ever to push Apple devices to their limits. Sure, some apps and workflows will do it, but for everyday tasks, Apple silicon has opened a gap between hardware and software that we haven’t seen in a while.

The transformation was gradual with the iPhone and iPad compared to the sudden leap the Mac took with the M1, but the result is the same. There are fewer and fewer apps that push Apple’s chips to the max.

That’s beginning to change with the focus on machine learning and Apple silicon’s Neural Engine. While pundits fret over Apple’s lack of an AI chatbot, developers are building a new class of apps that use local, on-device machine learning to accomplish some pretty amazing feats on all of Apple’s devices.

Detail Duo.

Detail Duo.

Great examples of this are the apps by Detail, an Amsterdam-based startup. Detail has two apps: Detail Duo, an iPhone and iPad video production app, and Detail for Mac, which does something similar but with a focus on multi-camera setups more suitable to a desktop environment.

As I explained in my Final Cut Pro for iPad first impressions story last week, I don’t work with much video. However, I’ve been dabbling in video more, and I’ve discovered a story as old as personal computers themselves.

Every hardware advance that creates a huge amount of performance headroom is eventually consumed by the ever-growing demands of apps. That’s just as true with Apple silicon as it was for other chip advances. What seemed like more power than average consumers would ever need quickly becomes a necessity as apps like Detail Duo and Detail push that hardware to its limits.

It’s these sorts of advances that I find incredibly exciting because when they’re coupled with intuitive, well-designed apps, they open up entirely new opportunities for users. For Detail, that means simplifying and democratizing video production that would have been out of reach of most users not that long ago, expanding access to video as a creative outlet.

Before digging into these apps further, though, you should know that my son Finn is on the team building Detail and Detail Duo. That’s one of the reasons I’ve known about and followed these apps for a long time now. I figured that’s context readers should know.

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MKBHD on Apple’s Processing Techniques for iPhone Photos→

In his latest video, MKBHD eloquently summarized and explained something that I’ve personally felt for the past few years: pictures taken on modern iPhones often look sort-of washed out and samey, like much of the contrast and highlights from real life were lost somewhere along the way during HDR processing, Deep Fusion, or whatever Apple is calling their photography engine these days. From the video (which I’m embedding below), in the part where Marques notes how the iPhone completely ignored a light source that was pointing at one side of his face:

Look at how they completely removed the shadow from half of my face. I am clearly being lit from a source that’s to the side of me, and that’s part of reality. But in the iPhone’s reality you cannot tell, at least from my face, where the light is coming from. Every once in a while you get weird stuff like this, and it all comes back to the fact that it’s software making choices.

That’s precisely the issue here. The iPhone’s camera hardware is outstanding, but how iOS interprets and remixes the data it gets fed from the camera often leads to results that I find…boring and uninspired unless I manually touch them up with edits and effects. I like how Brendon Bigley put it:

Over time though, it’s become more and more evident that the software side of iOS has been mangling what should be great images taken with a great sensor and superbly crafted lenses. To be clear: The RAW files produced by this system in apps like Halide are stunning. But there’s something lost in translation when it comes to the stock Camera app and the ways in which it handles images from every day use.

Don’t miss the comparison shots between the Pixel 7 Pro and iPhone 14 Pro in MKBHD’s video. As an experiment for the next few weeks, I’m going to try what Brendon suggested and use the Rich Contrast photographic style on my iPhone 14 Pro Max.

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Belkin’s MagSafe Mount for Desktops and Displays, Hand Mirror, and the Logitech Crayon

It’s the end of the year, and before I take a few days off to relax for the holidays, I have a few cool things to share that have been sitting on my desk and Mac for a little bit.

The Belkin Mount with MagSafe for Mac Desktops and Displays

One of macOS Ventura’s flagship features is Continuity Camera, which lets you use an iPhone’s camera as a webcam. I covered Continuity Camera in my Ventura review, and it works really well, especially with Center Stage turned off, so you get the full uncropped image from the iPhone’s camera.

A side view.

A side view.

Alongside Continuity Camera, Belkin introduced an excellent, compact MagSafe mount for Apple Laptops but left desktop and external display users hanging. Last week, desktop users got their wish for a similar solution, with a double-hinged MagSafe Mount that I expect will work on a work with a wide range of displays.

Ready for hooking to a screen.

Ready for hooking to a screen.

Belkin sent me its new mount to try last week, and I immediately gave it a try. The hardware has a nice, solid feel. The hinges are stiff, so your iPhone’s weight won’t affect your setup, and every surface that touches your display, front and back, as well as your iPhone, has a soft-touch finish that shouldn’t scratch your display or phone.

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Austin Mann Reviews the iPhone 14 Pro’s Cameras→

Source: Austin Mann

Source: Austin Mann

Austin Mann’s review of the iPhone 14 Pro’s cameras is out, and as usual, he’s back with beautiful photos from an interesting location. This time it’s the Scottish Highlands where Mann put the iPhone Pro’s new cameras to the test.

One of the advantages of the new 48MP camera is more latitude to crop images without reducing their resolution too far. There’s a great example in Mann’s review of a tight crop on a rooster that illustrates how far an image can be cropped and still retain lots of detail. Still, Mann concludes that he’s more likely to shoot at 12MP than 48 in most situations because it’s still the fastest way to shoot and performs so well in low-light. Mann was also impressed with shooting video in Action Mode, although he notes that it requires good lighting and crops the resulting video substantially.

Mann’s bottom line:

With high-resolution imaging capability, Action mode stabilization, and a Cinematic mode that now supports 4K at 24 fps, the iPhone 14 Pro is a powerful imaging tool in the pocket of a creative pro. Beyond the cameras, new safety features like Emergency SOS via satellite and crash detection are exciting to have with me (and with my loved ones).

Now I’m just hoping we see some monster steps forward in the digital workflow so we can quickly get these beautiful files off our cameras and into our projects to share with the world!

For examples of the kind of shots that are possible when the iPhone 14 Pro is in the hands of a professional and more details on the camera’s performance, be sure to visit Mann’s site.

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Halide 2.5 Adds New Macro Mode

Halide 2.5 is out, and it includes a brand new Macro Mode. Macro photography is an exclusive feature of the iPhone 13 Pro and 13 Pro Max. Still, Halide has managed to make its Macro Mode available on the iPhone 8 and newer models thanks to some cool machine learning tricks.

Switching to Macro Mode and dialing in precise focus is simple with Halide 2.5.

Switching to Macro Mode and dialing in precise focus is simple with Halide 2.5.

Macro Mode is easy to use. When you open the app, auto-focus (AF) is selected by default. Tap it, and the focus controls slide into place with the auto-focus at one end of the app’s focus dial and Macro Mode (the button with the flower) at the other end. Select Macro Mode, and you’ll see a new focus dial with smaller increments appear. The Halide team says this enables sub-millimeter focusing for extra-precise close-up focusing.

Halide takes its close-ups by first switching to the camera on your iPhone that can take the closest shots. Focusing is handled by its precision focus dial, and the final step is to enhance the image’s details using an AI-based enhancement process. That last super-resolution step is what allows Halide’s Macro Mode to be used on cameras on older models of iPhones and to enhance Apple’s own macro system too.

In my testing over the past day, the results have been impressive. I’m especially fond of the precise focus dial that allows for minute adjustments that make a difference at such close range.

If you’re a Club MacStories+ and Club Premier member, head over to the new Photography channel in our Club Discord to see even more of my experiments with Halide’s Macro Mode and share your own macro shots.

Halide is available as on the App Store as a subscription for $2.99/month or $11.99/year or for a one-time payment of $49.99. The app also offers a 7-day free trial.

Matthew Panzarino Tests the iPhone 13 Pro’s Cinematic Mode and Interviews Apple Executives→

Matthew Panzarino, TechCrunch’s Editor-in-Chief, put the iPhone 13 Pro camera’s new Cinematic mode through its paces at Disneyland in an excellent real-world test of the new feature. Panzarino also spoke to Kaiann Drance, Apple’s vice president of Worldwide iPhone Product Marketing and Johnnie Manzari, a designer on Apple’s Human Interface Team about how Cinematic mode works.

As Manzari explained:

“In cinema, the role of gaze and body movement to direct that story is so fundamental. And as humans we naturally do this, if you look at something, I look at it too.”

So they knew they would need to build in gaze detection to help lead their focusing target around the frame, which in turn leads the viewer through the story. Being on set, Manzari says, allowed Apple to observe these highly skilled technicians and then build in that feel.

“We’re on set and we have all these amazing people and they’re really the best of the best. And one of the engineers noticed that the focus puller has this focus control wheel, and, and he’s just studying the way that this person does this. Just like when you look at like someone who’s really good at playing the piano, and it looks so easy, and yet you know it’s impossible. There’s no way you’re going to be able to do this,” says Manzari.

“This person is an artist, this person is so good at what they do and the craft they put into it. And so we spent a lot of time trying to model the analog feel of a focus wheel turning.”

To make it all come together into one, coherent feature, Apple’s engineers had to solve a long list of technical challenges:

Some of the individual components that make up Cinematic Mode include:

  • Subject recognition and tracking
  • Focus locking
  • Rack focusing (moving focus from one subject to another in an organic-looking way)
  • Image overscan and in camera stabilization
  • Synthetic Bokeh (lens blur)
  • A post-shot editing mode that lets you alter your focus points even after shooting

And all of those things are happening in real-time.

Despite everything that goes into Cinematic mode, Panzarino notes that the battery impact of using it throughout the day was surprisingly slight.

Cinematic mode isn’t without its flaws, which are covered in the story, but it’s worth watching the entire video that Panzarino shot during a Disneyland visit with his family to get a sense for it yourself. If you study the video closely, you’ll pick up on the places where Cinematic mode struggles. However, sitting back and casually watching the video like you would after a vacation or if a friend sent it to you, the flaws largely fade into the background. I’m eager to test Cinematic mode for myself, and I don’t mean to suggest that it’s necessarily fine as it is, but I also expect that it will be a net positive in a lot of circumstances.

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Austin Mann Puts the iPhone 13 Pro and iPhone 13 Pro Max Cameras Through Their Paces→

Source: [austinmann.com](https://austinmann.com/trek/iphone-13-pro-camera-review-tanzania)

Source: austinmann.com

Specs only tell part of the story of new hardware. They’re important, but they only hint at what’s possible. Put that hardware in the hands of someone who can push it to its limits, and those hints of the possible become concrete examples of the actual. When Apple announced the iPhone 13 Pro, the stats suggested the device’s camera was poised to leap forward. Austin Mann’s review of the 13 Pro’s camera confirms it with a series of stunning photographs from Tanzania.

Source: [austinmann.com](https://austinmann.com/trek/iphone-13-pro-camera-review-tanzania)

Source: austinmann.com

One of the new Camera features I’m looking forward to most is the ability to take macro photos. Mann explains that:

Although the iPhone 13 Pro still only has three lenses, the addition of macro capability is like adding a new lens altogether, and for the serious photographer I think it’s perhaps the strongest advancement in this year’s camera system.

Macro is more than just improved focus distance. It offers a new way of seeing and opens up an entirely new world of photography and storytelling.

Taken using Photographic Styles. Source [austinmann.com](https://austinmann.com/trek/iphone-13-pro-camera-review-tanzania)

Taken using Photographic Styles. Source austinmann.com

Mann also covers Photographic Styles, which he says allow for a relatively subtle shift of the look of photos without feeling like a flat image-wide filter has been applied, explaining when he’d use them even as a pro photographer:

Of course, I’m usually shooting ProRAW on client projects, but there are times when I just want great looking images right now versus maximum processing control later. Photographic Styles will be perfect for that.

Finally, I thought this insight about Cinematic mode was interesting:

As I watched this piece, particularly the interview in Cinematic mode, it dawned on me that we’re moving beyond the world of just computational photography and into the realm of computational videography. The release of Cinematic mode marks another one of those fundamental shifts where software, unbounded by the limitations of hardware, has opened up entirely new possibilities in the creative process.

From the reviews I’ve seen, Cinematic mode feels like early Portrait mode in terms of how well it works. Although there’s obvious room for improvement, Portrait mode has come a long way in recent years, and it’s exciting to think Cinematic mode may do the same too.

As usual, Mann’s review is full of fantastic shots of the landscapes, people, and nature of Tanzania, which are beautifully shot and are excellent examples about what’s possible with the iPhone 13 Pro.

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Lux Delivers an iPad Version of Halide That Addresses the Unique Challenges of iPad Photography

Students are finishing up the year here in the US, and nothing says graduation season like a relative gripping an iPad with two hands to snap photos of a graduate at a family gathering. It’s easy to poke fun at iPad photography, but those aren’t easy shots to get with Apple’s tablet. Both of your hands are occupied, and the viewfinder is huge and partially obscured by the app’s UI. If you’re at one of these events and see a relative struggling to take the perfect family portrait with their iPad, before you assume that they cut you out of the frame on purpose, show them Halide. The brand new iPad version of the app from the team at Lux makes taking iPad photos more natural and, of course, offers all the advanced features available in the iPhone version of the app.

I don’t take many photos with my iPad, and I doubt I ever will. The camera hardware isn’t as good as it is on the iPhone, and I don’t find myself in situations where I have my iPad but not my iPhone. However, once in a while, I’m using my iPad and want to capture a moment quickly without digging my iPhone out of my pocket. For those occasions, I’m going to use Halide because the app’s thoughtful design makes the experience far superior to other camera apps I’ve tried on the iPad.

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Logitech Circle View Doorbell Offers Superior Camera Hardware with the Benefits of HomeKit Secure Video

For nearly a year, I had a Logitech Circle View camera perched above the front door of my house, which allowed me to keep an eye out for visitors and deliveries. The wide-angle lens was able to capture my front stoop as well as my yard, providing an excellent perspective on what was happening outside.

That setup worked extremely well. In fact, my two Circle View cameras are so reliable that I had begun thinking about replacing a second outdoor camera from Canary that I was using in the back yard. That’s why when Logitech got in touch to see if I wanted to try its new Circle View Doorbell, I jumped at the chance. I figured that if it worked out, I could migrate the Circle View to the back yard. I was also intrigued by some unique features of Logitech’s doorbell and eager to see how well they worked in practice. I haven’t been disappointed.

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