Despite receiving several updates in the last few months, Google’s apps haven’t been updated for Apple’s larger tablet. And there’s no hope, as there is with Facebook, of using Google’s in-theory-HTML5-and-therefore-iPad-compliant website: Google’s standard web view on an iPad flat-out punts you to the apps—if the website even correctly detects you have the app installed. I can’t count the number of times I’ve seen the websites try and send me to the App Store to open a spreadsheet, when I clearly have Sheets already available.
Trying to request the desktop version of the website won’t work, either: You won’t be able to scroll, or tap on anything that requires a double-click, and any link you do manage to make work will send you right back to the mobile environment.
As I’ve tweeted for the past twomonths, Google’s suite of Drive apps for iOS is an embarrassment.
Compare Google’s subpar iPad Pro “work” to Microsoft, which was quickly ready for the iPad Pro, iOS 9 multitasking, and Apple Pencil. I’ve switched to Office 365 for my personal spreadsheets and Word documents, and, if the situation doesn’t improve, I’ll consider other solutions for collaborative docs as well.
The beauty of a single machine fully dedicated to the iPad Pro is that we always have a full OS X instance at the ready for anything that arises - from exporting and compiling app builds to transcoding video, to downloading and uploading large files. Heck, we’ve even found it useful for firing up a desktop instance of Chrome when pesky sites misbehave on mobile Safari. It has truly filled the gap for any desktop-class workflows we require (that have not already been fulfilled with an iOS App or Web-based method).
Before switching to the iPad as my only computer and before iOS 9 multitasking (I would say between 2011 and 2014), this is also what I did. I set up a personal mini at Macminicolo (a fine company which also hosts this very website) and relied on Edovia’s excellent Screens app to access desktop apps like iTunes and Chrome. I also used to keep the mini always running for Hazel rules (here’s an archive of posts about it) and other desktop automation. I do most of this stuff directly on iOS now, but if you need a Mac for some key tasks, Screens with iOS multitasking sounds better than ever.
I first heard of the adult coloring book trend from my friend Myke, who described on various podcasts and Slack conversations how coloring mandala-like patterns helps him concentrate and relax while doing something else. In a peculiar case of Baader-Meinhof Phenomenon, I then started hearing about the popularity of adult coloring from a lot of people – all of them, apparently, owners of physical books with empty artistic designs which need to be filled with color.
While I don’t own any adult coloring books myself, I’ve been intrigued by the trend enough to do some research. The origin story of the modern adult book coloring trend goes somewhat like this: Scottish artist Johanna Basford convinced British publisher Laurence King to order an initial run of ‘Secret Garden: An Inky Treasure Hunt and Coloring Book’. Since its release in 2013, the book has sold over two million copies worldwide. As noted by The Atlantic, adult coloring also started spreading in France when, in 2012, publisher Hachette released Art-Thérapie: 100 Coloriages Anti-Stress’. It was so successful, Hachette had to launch a full series, which has sold more than three and a half million copies so far. The New Yorker has a great primer on the rise of adult coloring books and the initial work of Johanna Basford and Hachette.
In another piece for The Atlantic, Julie Beck described adult coloring as offering the “relief and mindfulness without the paralysis that a blank page can cause”; the constraints of objects designed by others with the sole purpose being coloring them helps a lot of people relieve stress and engage a part of their brain that can either take their mind off daily concerns or, like Beck noted, use multitasking to relax.
Evidence – both factual and anecdotal – indicates that adult coloring has now turned into a global, lucrative phenomenon: mainstream media are talking about it, 5 out of 10 of the top books on Amazon are adult coloring books, and, if you go into a bookstore today, there’s a good chance you’ll find a section dedicated to books filled with patterns of flowers, natural landscapes, exotic objects, animals, and more.
@gruber First developer who makes this proper with Pencil support is gonna make millions (Pencil tip works for this) pic.twitter.com/min685SWm2
Back in November, I half-jokingly sent a tweet in response to John Gruber saying that the first developer to figure out how to make an adult coloring app with Apple Pencil integration would find success on the App Store. I don’t know if they’re going to make “millions” as I quipped, but California-based studio Pixite – specialized in photo apps for iOS and Android – is following the path I imagined. Today, Pixite is launching Pigment, an adult coloring app for iPhone and iPad that, however, is best enjoyed with the closest digital equivalent of a physical book: an iPad Pro paired with an Apple Pencil.
Great update to Pixelmator for iOS released this morning: the app is now fully compatible with the iPad Pro and Apple Pencil, with support for 16K images up to 100 megapixels and a new collection of brushes. I tried the app with the Pencil for a couple of minutes, and it works as expected; if you don’t have an iPad Pro with a Pencil but you have an iPhone 6s, pressure-sensitive painting has also been made available via 3D Touch:
Pixelmator on iPhone 6s and iPhone 6s Plus adds full 3D Touch support. In addition to useful shortcuts when pressing firmly on the Pixelmator icon from the home screen and on an image in the Pixelmator gallery, Pixelmator for iOS 2.2 also brings 3D Touch-sensitive painting. Now you can change the look of a stroke simply by varying the pressure you apply on the screen with your finger, without having to change the brush settings.
The new Pixel brush is a lot of fun, and I’m curious to see what kind of creations pixel artists will come up with. Pixelmator 2.2 is available on the App Store.
Algoriddim launched djay Pro for iPad today, the latest version of their award-winning DJ software for iPhone, iPad, and Mac. The new version (which I played around with over the past couple of days) has been built with the iPad Pro in mind, with tons of design changes and new features for the new platform.
From the app’s product page:
At the heart of djay Pro is an innovative, modern user interface that provides flexible layers of functionality. It features advanced performance modes including horizontal and vertical colored waveforms, live sampler and drum pads, FX racks, a video mixer, as well as a powerful four deck view that allows you to play, mix, slice, and synchronize up to four tracks simultaneously.
And:
The sheer performance of iPad Pro enables a host of new features that were previously impossible on a mobile device, including mixing of up to 4 audio tracks, plus two simultaneous 4K video streams, all rendered in pristine sound quality and with brilliant video output in full HD, at 60 frames per second. djay Pro combines rock-solid stability with unrivalled performance, delivering a powerful, dependable solution for performing DJs and VJs.
What Algoriddim has done with djay over the years has always been impressive, but this time they’ve gone far beyond what I’ve seen in any other music app for iPad.
The interface has been completely revamped to take advantage of the bigger screen, so it’s not just another scaled up app without a deeper consideration of what the larger canvas enables. The hardware of the iPad Pro is used throughout the app with tangible benefits: scrubbing through 4K video streams is silky smooth, as is mixing audio tracks, applying effects, and rendering the final product. If you use an external keyboard, djay offers an insane Discoverability menu with pages of keyboard shortcuts – the first time I’ve seen a paginated layout in the cheat sheet. The list goes on (and you should check out the website for more details), but I want to mention one feature: with its Music integration, djay has rolled out multitasking support for music playback before Apple’s own Music app.
A few weeks ago, there was a lot of talk about the lack of pro software for the iPad Pro. djay Pro is a great example of how developers who know their audience can rebuild their apps from the ground up with the iPad Pro in mind, catering to a new category of users – those who want power and the portability of an iPad. I believe djay Pro shows the way for more kinds of professional software to come to the App Store in the future. I want to see more developers follow Algoriddim’s approach and build iPad-first software that’s just as powerful as desktop counterparts – if not more powerful thanks to iOS. It’s possible.
The Lightning to SD Card Camera Reader supports standard photo formats, including JPEG and RAW, along with SD and HD video formats, including H.264 and MPEG-4. It supports data transfer at up to USB 3 speeds on iPad Pro, and up to USB 2 speeds on all other iPad and iPhone models.
Apple previously confirmed that the iPad Pro would support USB 3 transfer speeds, and the updated SD card reader appears to be the first product to take advantage of it. Last week, John Gruber speculated that the different Lightning port of the iPad Pro could also open up to USB-C functionalities in the future; I’m curious to see which other accessories will implement these iPad Pro optimizations in the next year.
The Canvas Smart Desk for the iPad Pro and the Surface Pro revolves around the word “Pro”. Designed to make any flat space (or even your lap!) an instant and effective workstation, the smart desk allows you to dock your tablet, a smartphone, and even a paired stylus (The Microsoft Pen or the Apple Pencil).
The Canvas comes in two variants. The Canvas Creator is a more compact desk meant for the serious and swift professional. The Canvas Pro is a larger variant, offering a little extra space for your notepad/coffee/portable-speaker.
While I tend to either hold my iPad or prop it up with the Smart Cover, the Canvas surface looks nice for a combined iPhone + iPad + Pencil setup. It costs $68 for the Creator and $100 for the Pro version from iSkelter’s website.
Also “interesting”: they’re using my iPad Home screen in their product shots.
But the real clincher? It’s faster to illustrate on the iPad Pro, with Pencil, using Procreate, than it is to illustrate on a 16Gb Macbook Pro, with a Wacom Intuous, in Photoshop. That’s astonishing – and places this as a core piece of my professional illustration workflow. It does not replace my laptop – as mentioned, there’s a on of key pieces that the software and hardware can’t do. But I’ll now create maps first on the iPad Pro if I can, and then do the final polish on my laptop. I never expected that to be the case when I picked this up.
A very balanced and honest take on the merits of the iPad Pro, as well as its limitations compared to desktop hardware and software. Apple should listen to people like Jonathan for the future of the platform.
Karan Varindani has a great story about the role of the iPad Pro in his college studies, and how he’s been consolidating his textbooks, notes, and more into a portable, digital workflow:
I saved writing about my experience doing Linear Algebra homework for last because it is, by far, my favorite anecdote about the iPad Pro. I usually have the assignment sheet open on my Mac in front of me, the textbook open on my iPad to my left, and sheets of A4 paper scattered everywhere else on my desk. I first go through the assignment, making lots of mistakes along the way, then rewrite everything again neatly on the second run. Next, I scan the 10–15 pages to my Mac, merge them into a single PDF document, and upload them to the course server. The entire process takes about 3–4 hours depending on the number of questions assigned and leaves me with a pulsing wrist every time. Last week, I did the entire assignment on the iPad Pro. I had both Notability and PDF Expert open in Split View; the former was a blank canvas where I wrote down my answers and the latter had both the assignment and textbook open in tabs. I was able to erase mistakes as I made them and I didn’t have to scan anything afterwards, both of which saved me a tremendous amount of time. I uploaded the document in Safari using iCloud Drive when I was done.
Almost immediately after I got the confirmation email, I decided that I wasn’t going to be returning the iPad Pro.
A good primer for those who argue that the iPad is only being used by tech bloggers – with a fair assessment of the Pro’s portability trade-offs.
