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Posts tagged with "iPad"

iPad Air Review: Forward-Looking

The new iPad Air.

The new iPad Air.

Ever since its launch in late 2015, the 12.9” iPad Pro has been my primary computer. The combination of a large display – the largest Apple makes for iPads – with software that properly takes advantage of it (see: Split View, multiwindow, multicolumn) makes the 12.9” Pro an ideal blend of laptop-like usability and tablet modularity. If you’re looking for power and flexibility, the 12.9” iPad Pro is the ne plus ultra of the iPad line.

Before the iPad Pro, however, it was the iPad Air 2 that convinced me the iPad could be a suitable replacement for a MacBook. In my review of the iPad Air 2 in early 2015, which I published just a few months before the iPad Pro’s debut, I called the device a “liberating” experience, noting how it struck a balance of high portability and versatility that enabled me to get more work done from more places. In spite of the iPad Pro’s superiority – especially in terms of display size – I’m always going to have a soft spot for the iPad Air as the device where my modern iPad journey began.

For the past few days, I’ve been testing Apple’s latest iPad Air, which comes out this Friday starting at $599 for the 64 GB, Wi-Fi model. While the 10.9” Air won’t replace the 12.9” iPad Pro as my primary machine, I’ve been impressed by this iPad for a different reason: the iPad Air democratizes the notion of “pro iPad”, bringing key features of iPad Pro to more customers, while at the same time looking ahead toward the future of iPad with hardware not seen on the current iPad Pro lineup. The iPad Air sits at the intersection of old iPad Pro features trickling down to the rest of the iPad line and new ones appearing on this model first. This makes the iPad Air a fascinating device to review, as well as a compelling alternative to another iPad of similar dimensions: the 11” iPad Pro.

Five years after the iPad Air 2, I’m intrigued by an iPad Air again. Let me explain why.

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Adobe MAX Kicks Off with Illustrator for iPad, Photoshop, Lightroom, and Fresco Updates for iPad, Plus the Addition of Fresco for iPhone

Illustrations: Adobe.

Illustrations: Adobe.

Today marks the start of Adobe MAX, Adobe’s annual conference for creative professionals. Every year, MAX is jam-packed with announcements about Adobe’s many products.

If you’ve been following along the past few years, the rise of the company’s mobile apps has been an unmistakable trend at MAX. Adobe has made apps for the iPhone and iPad for years, but with the launch of Photoshop for iPad in late 2019, it became clear that the company intends to play as big a role on the iPhone and iPad as it has for decades on the Mac. Instead of building companion apps for its powerful desktop apps, Adobe seems intent on building apps that let creative professionals move seamlessly from the desktop to the iPad and iPhone and back again.

Given the complexity of Adobe’s desktop apps, building something comparable on the iPad or iPhone is a tall order that takes time. Photoshop for iPad didn’t start out with nearly all the features users rely on when they use the desktop version, but with a monthly release cycle, Adobe has chipped away at the pain points, bringing the two apps closer together over time. The same goes for apps like Lightroom, which photographers rely on for editing images they take. The iPad versions of Adobe’s apps haven’t reached feature parity with the desktop, but the gap is closing, enabling users to work in new ways and in a wider variety of contexts.

This year the announcements at MAX are no different. I’ve tried all of the apps discussed below that Adobe is releasing or updating for the iPad and iPhone this year to one degree or another, including spending the past few weeks using the beta version of Adobe’s latest pro iPad app, Illustrator. My artistic skills don’t do Illustrator justice, but from what I’ve seen from my testing the past few weeks and demos by Adobe, Illustrator is a remarkably powerful vector drawing app that takes a truly innovative approach to the app that should still be familiar to desktop users, but is designed first and foremost around touch interactions. Adobe has also released Fresco for the iPhone and some substantial new features to both Photoshop and Lightroom.

Let’s take a look at what’s coming for the iPad and iPhone at Adobe MAX.

Illustrator for iPad

Illustrator on the iPad is Adobe’s popular desktop vector drawing app reimagined for the iPad and Apple Pencil. The app integrates with Adobe’s Creative Cloud service, allowing users to do their work from any device.

Adobe has created a context-aware interaction model that, coupled with the same touch shortcut UI first seen in Photoshop for iPad with the Apple Pencil, provides a rich and flexible set of tools for illustrators. The breadth and depth of tools and options Adobe offers comes with an initial learning curve. However, Adobe has wisely provided a set of tutorials and ways to learn from others that make it easy to learn the basics, so you can start experimenting on your own.

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Two Weeks with iPadOS 14: Redefining the Modern iPad Experience

My iPadOS 14 Home Screen.

My iPadOS 14 Home Screen.

For the past two weeks, I’ve been using the developer beta of iPadOS 14 on my 2018 12.9” iPad Pro – my main computer and production machine. Although I feel like it’s too early for me to offer a definitive assessment of iPadOS 14, I figured it’d be interesting to share some initial thoughts on the evolution of the iPad platform now that iPadOS 14 is available as a public beta as well. These are just some of the key takeaways and “core themes” I’ve been mulling over since WWDC; I plan to dig deeper into every aspect of iPadOS 14 in my annual iOS and iPadOS review in the fall.

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Connected Trio Host Interview with Members of Apple’s iPad Team→

Federico, Stephen, and Myke had a special surprise on this week’s episode of Connected, their podcast about Apple, technology, and general shenanigans. Episode 301, titled We Should Be Developers, features an interview with Apple’s Jenny Chen, who works on the Apple Pencil team, and Stephen Tonna, who works in iPad product marketing.

The interview covers the new Scribble feature in iPadOS 14 and other Apple Pencil enhancements, the philosophy behind iPad app design, including the new sidebars and dropdown menus of iPadOS 14, and also how the iPad’s versatility of input methods needs to be kept in mind by app developers.

There are a ton of great insights into how Apple’s team thinks about the iPad and approaches its evolution. If you’re an iPad user, you won’t want to miss it.

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Sofa Debuts Modern iPad App, Rich Themes Experience, and More

I suspect I’m not alone in saying that 2020 has been a big year for personal media consumption. The absence of normal social events has meant more time for reading, watching shows and movies, and other forms of relaxation.

At the end of last year I wrote about how I was using Sofa, a media list app, to track the TV and films I’d watched in 2019. I’ve used the same approach throughout 2020, and it continues to work well for me. The only change is that I’ve been testing a big update to Sofa for the last few weeks that’s available now. Previously exclusive to the iPhone, Sofa now offers a rich iPad experience complete with Split View, Slide Over, and multiwindowing, keyboard shortcuts, and mouse and trackpad support. Additionally, today’s update adds a robust theming system to the app and seamless iCloud syncing. It’s a strong step forward for the app, making it more versatile than ever before.

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The Future of the iPad

It’s been an eventful decade for the iPad. But what’s next?

This week’s iPad at 10 celebration has centered primarily on the past. We’ve explored the device’s influence in accessibility and education, heard developers’ stories, outlined some of the most impactful apps from the decade, considered one of the most overlooked iPad models, and more. But as the week closes out, we turn our attention from the past and present to what lies ahead.

For the longest time, the iPhone’s shadow loomed large over the iPad. The iPad Pro began to change that, iPadOS solidified that shift, and now the device is forging its own path as a modular computer.

There’s never been a more exciting time to use the iPad. Yet as far as the device has come, we remain optimistic that its best days are still ahead.

Before wrapping up this anniversary week, we have to consider the future of the iPad.

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Modular Computer: iPad Pro as a Tablet, Laptop, and Desktop Workstation

My iPad Pro desktop setup.

My iPad Pro desktop setup.

When I started my iPad-only journey in 2012, I was stuck in a hospital bed and couldn’t use my Mac. It’s a story I’ve told many times before: I had to figure out a way to get work done without a Mac, and I realized the iPad – despite its limited ecosystem of apps and lackluster OS at the time – granted me the computing freedom I sought. At a time when I couldn’t use a desk or connect to a Wi-Fi network, a tablet I could hold in my hands and use to comunicate with remote colleagues over a cellular connection was all I needed. Over time, however, that state of necessity became a choice: for a few years now, I’ve preferred working on my iPad Pro and iPadOS (née iOS) in lieu of my Mac mini, even when I’m home and have access to my desk and macOS workstation.

The more I think about it, the more I come to this conclusion: the iPad, unlike other computers running a “traditional” desktop OS, possesses the unique quality of being multiple things at once. Hold an iPad in your hands, and you can use it as a classic tablet; pair it with a keyboard cover, and it takes on a laptop form; place it on a desk and connect it to a variety of external accessories, and you’ve got a desktop workstation revolving around a single slab of glass. This multiplicity of states isn’t an afterthought, nor is it the byproduct of happenstance: it was a deliberate design decision on Apple’s part based on the principle of modularity.

In looking back at the past decade of iPad and, more specifically, the past two years of the current iPad Pro line, I believe different factors contributed to making the iPad Pro Apple’s first modular computer – a device whose shape and function can optionally be determined by the extra hardware paired with it.

The original iPad Pro showed how Apple was willing to go beyond the old “just a tablet” connotation with the Apple Pencil and Smart Keyboard. Three years later, the company followed up on the iPad Pro’s original vision with a switch to USB-C which, as a result, opened the iPad to a wider ecosystem of external accessories and potential configurations. At the same time, even without considerable software enhancements by Apple, the creativity of third-party developers allowed iPad apps to embrace external displays and new file management functionalities. And lastly, just a few weeks ago, Apple unveiled iPadOS’ native cursor mode, finally putting an end to the debate about whether the iPad would ever support the desktop PC’s classic input method.

The intersection of these evolutionary paths is the modern iPad Pro, a device that fills many roles in my professional and personal life. Ever since I purchased the 2018 iPad Pro1, I’ve been regularly optimizing my setup at home and on the go to take advantage of the device’s versatility. I’ve tested dozens of different keyboards, purchased more USB-C hubs than I care to admit, and tried to minimize overhead by designing a system that lets me use the same external display and keyboard with two different computers – the Mac mini and iPad Pro.

At the end of this fun, eye-opening process, I’ve ended up with a computer that is greater than the sum of its parts. By virtue of its modular nature, I find my custom iPad Pro setup superior to a traditional laptop, and more flexible than a regular desktop workstation.

So how exactly did I transform the iPad Pro into this new kind of modular computer? Let’s dig in.

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Full of Potential: Developers on the iPad’s Past, Present, and Future

From the start, the iPad has always been rife with potential. This is partly because it launched as a new type of product category, with unexplored use cases prompting users towards a different computing experience. But it’s also because the device’s very nature – a slab of glass that becomes its software – evokes countless possibilities.

To celebrate 10 years of iPad, I spoke to the developers of many of the device’s best apps across areas of productivity and creative work. They’re the people who make that slab of glass into something new, realizing the iPad’s potential but also showing, by their constant work of iteration and reinvention, that there’s always more that can be done.

In sharing their stories from the last decade, the people I spoke with outlined some of the best and worst things about iPad development, memories of their reactions to the product’s introduction, and dreams for where its future might lead. All throughout, it’s clear how much excitement remains for the iPad’s potential even 10 years on.

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For iPad, Accessibility Gives ‘It’s Just a Big iPhone’ New Meaning

Perhaps the most common complaint hurled against the iPad over its first decade of life is that it‘s little more than a bigger iPhone. At a fundamental level, the criticism is certainly valid: by and large, the iPad runs the same software as the iPhone. The penchant for bemoaning this bigness emanates from discontentment over the fact that substantial improvements to the iPad’s software have come at a glacially slow pace. Until last year, meaningful upgrades tailored to the tablet were few and far between.1 As much as Apple has extolled the iPad for being “unlike any computer,” the truth is the product stagnated for quite a while in terms of software.2 For better or worse, the company has been preoccupied with savoring every last drop of mother’s milk from the cash cow that is the iPhone. The iPad was left to wither thirstily when it came to its own growth, and it suffered for some time as a result.

In actuality, the iPad being more or less a scaled-up iPhone isn’t necessarily an entirely bad thing. The reason is iOS; familiarity breeds comfort – Apple shrewdly created the iPad’s user interface (and to lesser extents, Apple Watch and Apple TV) to largely resemble the iPhone. Especially for less nerdy users, the consistency across devices makes for a seamless, less intimidating experience. From icons to text to features to the touchscreen, the iPad being so similar to the iPhone means acclimating to the device takes minimal time and effort. From an accessibility standpoint, easy acclimation sets the tone for an enjoyable user experience. The foremost reason this is important is that the easier it is to acclimate to a device, the easier it is to find and configure mission-critical accessibility features.

Thus, it’s not at all unreasonable to look at what was heretofore a pejorative assessment – the iPad is nothing but a big iPhone – and turn it into a positive. One of the unheralded aspects of the device’s success is how its approachable, intuitive nature has made it a hit in accessibility-centric contexts such as special education classrooms and as a communicative aid. Such advances get right at the heart of the oft-cited Steve Jobs quote on the so-called intersection of technology and the liberal arts, when he said, “It’s in Apple’s DNA that technology alone is not enough.” Assistive technology obviously caters to the humanities part of the liberal arts, and it’s not hard to see how the iPad’s roots as ostensibly a bigger iPhone can be an asset rather than a liability. You just have to be willing to keep an open mind.

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