Freeform is a brand new iPhone, iPad, and Mac app from Apple that lets users create multimedia boards on an infinite canvas that include text, images, drawings, links, files, and more. It’s an ambitious entry into a crowded category of apps that take overlapping approaches, emphasizing everything from note-taking to collaborative design to whiteboarding.
As is so often the case with Apple’s system apps, Freeform falls squarely in the middle of the landscape of existing apps. Freeform isn’t going to replace apps that are deeply focused on a narrow segment of apps in the blank canvas category. Instead, Freeform is targeted at a broader audience, many of whom have probably never even considered using this sort of app. For them, and for anyone who has felt constrained by more linear, text-based ways of exploring ideas, Freeform is a perfect solution.
At first blush, Freeform’s spare interface may give the impression that it’s a bare-bones 1.0 release, but that’s not the case. The app is easy to use and impressively feature-rich for a new release. So, let’s dig into the details to see what it can do.
DMS bought 12 speakers and a bunch of DACs, but immediately had trouble getting the system to decode a Dolby Atmos signal without buying an expensive decoder. Ultimately, the solution was to use Loopback to combine the DACs into one virtual multichannel DAC, a far cheaper solution than trying to handle 12 channels at once.
DMS’s setup has been documented for anyone who wants to try it themselves. What struck me about it is how well Loopback handled an incredibly complex setup and saved DMS thousands of dollars by creating a software version of what otherwise would have required expensive hardware. This is a terrific example of why so many people turn to Rogue Amoeba’s apps when they need to do something with audio on the Mac, whether it’s as simple as recording a live track of their favorite band streaming in Safari, or as complex as a 12-channel Dolby Atomos surround sound system.
Around this time every year, I tend to start fiddling with my RSS setup. Last year, I drastically simplified my setup, and it worked well. Still, with Twitter’s fate uncertain, I thought it would be an excellent time to reexamine what various sync services and apps have to offer to refine my RSS reading experience.
One of my goals with this year’s experiments is to find better ways to filter and sort the articles in my feeds. Folders are a useful top layer of organization, but I’ve wanted more control over my feeds for a while now, especially when I’m busiest. One way to accomplish advanced filtering is server-side with an RSS sync service, but support for them by third-party RSS apps is limited. That’s why I was excited to see that ReadKit 3.1 has added a new smart folders feature.
Apple spent a considerable amount of time during June’s WWDC talking about Metal 3, the latest iteration of the company’s graphics frameworks for videogames. The suite of technologies offers numerous technologies and tools for developers, including hardware-accelerated graphics, MetalFX Upscaling, which render scenes faster by taking advantage of upscaling and anti-aliasing, fast resource loading that uses asynchronous I/O techniques to speed up the delivery of data to Metal textures, and more. With the release of macOS Ventura, Metal 3 gaming is now available to all Mac users.
Resident Evil Village at WWDC.
At WWDC, Apple announced three games that would be coming to the Mac later in the year that will take advantage of Metal 3:
The first of the games to be released publicly is Resident Evil Village, which is available in the Mac App Store now. I’ve had a chance to test the game in advance of its release for a few days, and from what I’ve seen in my limited time with the game, what Metal 3 enables is impressive.
For those unfamiliar, Resident Evil Village from Capcom was first released in mid-2021 and is available on every major platform. The eighth game in the Resident Evil horror series, Village follows the story of Ethan, whose wife has been assassinated and child abducted. Ethan is abducted, too, but escapes from his captors after their vehicle crashes. In short order, Ethan finds himself in a European village terrorized by zombie-like creatures.
I don’t have a lot to say about the game itself because I’ve only been playing it for a few days and horror games generally aren’t one of my favorite genres. Instead, I spent my time testing the game at various settings to get a sense of what Metal 3 can do, repeating the same section of the game multiple times at different resolutions and with other settings enabled.
I started the game on my M1 Max Mac Studio and Studio Display at 2560 x 1440 with the game’s Prioritize Graphics preset enabled. At those settings, Village generally maintained 60-70 fps with a rare dip into the 50s during one particularly intense scene. Next, I enabled MetalFX Upscaling, which helped hold the frames above 60 and allowed me to increase other settings, like mesh quality, while maintaining 60fps.
At higher resolutions, the frame rates took a hit. For example, 2880 x 1620 dropped the frame rate to around 50 fps. However, once I enabled MetalFX Upscaling, I was right back up to 60 fps. I was even able to maintain a steady 60 fps when I bumped the resolution to 3840 x 2160 and switched the MetalFX Upscaling from the Quality to Performance setting. Bumping up other settings like the shadow and mesh quality didn’t significantly degrade performance either.
I also ran some tests with the game running on my M1 MacBook Air, where I was able to use the same sort of settings tweaks to maintain around 30 fps. The experience wasn’t bad, but Village definitely looked nicer, running on more powerful hardware paired with a Studio Display.
Overall, my first impressions of Metal 3’s enhancements to gaming on the Mac are positive. The results aren’t in the same league as a gaming PC with a dedicated graphics card. For example, I’ve seen benchmarks for Resident Evil Village running with an NVIDIA 3080 card that can run the game at over 120 fps. That’s double what I saw with my Mac Studio, but it’s still better than I’ve experienced in the past with games as recent as Village.
Metal 3 is promising. With just one big-name game taking advantage of it at the moment, it’s too early to judge its impact on Mac gaming, but it’s a step in the right direction. Hopefully, more game publishers will adopt the technology and bring their games to the Mac soon.
There’s something about the design of this machine that I can’t escape. The footprint is pretty similar between the two notebooks, but in my backpack, there’s a huge difference. Don’t get me wrong: I am thrilled that the MacBook Pro has beefed up to be a better computer, but I’m drawn to the clean, simple look of the Air. I know the Pro is a better match for my workflows, but the Air can do everything I need — if just a little bit slower. And I don’t care about that speed difference any time I pick up the Air to take it with me. Something about it just clicks with me in a way I didn’t anticipate.
I completely understand where Stephen is coming from on this. On paper, the MacBook Pro’s advantages are undeniable, but they’re also expected. It’s a bigger, heavier ‘pro’ computer with fans, after all.
In contrast, the M2 Air feels like magic, despite the M1 version that preceded it. The performance boost from the M2 SoC and features like a bigger, brighter screen and a higher memory option are part of it, but so, too, is the fact that the new Air even looks like a MacBook Pro. Yet, the M2 MacBook Air is still the svelte, silent laptop that it replaces, which feels improbable if not impossible. Like Stephen, the MacBook Air has captured my heart, and I don’t see myself switching to a different Mac laptop anytime soon.
It’s not unusual for Apple keynotes to feature gaming. Sometimes it’s about Apple Arcade, and other times it’s a demo of a third-party title coming to one of the company’s platforms. However, this year’s WWDC keynote was a little different, sprinkling developer-focused gaming announcements throughout the presentation and focusing on the upcoming release of No Man’s Sky and Resident Evil Village on the Mac. With Metal 3, controller functionality that continues to be extended, and an emphasis on titles with name recognition, many came away wondering if Apple is trying to position its latest Macs as legitimate challengers to high-end gaming PCs.
That’s the question Digital Foundry set out to answer in its latest YouTube video and companion story on Eurogamer by Oliver Mackenzie. When it comes to evaluating gaming hardware, few do it as well as Digital Foundry, which is why I was immediately curious to see what they thought of a fully loaded Mac Studio with an M1 Ultra SoC.
At just slightly larger than an Xbox Series S by volume and with ultra-low power consumption, the Mac Studio is unlike any high-performance PC. Digital Foundry came away impressed with the technical details of the M1 Ultra SoC, which held its own against high-end Intel CPUs and was in the ballpark in comparison to top GPUs:
The M1 Ultra is an extremely impressive processor. It delivers CPU and GPU performance in line with high-end PCs, packs a first-of-its-kind silicon interposer, consumes very little power, and fits into a truly tiny chassis. There’s simply nothing else like it. For users already in the Mac ecosystem, this is a great buy if you have demanding workflows.
These results are really just for evaluating raw performance though, as the Mac is not a good gaming platform. Very few games actually end up on Mac and the ports are often low quality. If there is a future for Mac gaming it will probably be defined by “borrowing” games from other platforms, either through wrappers like Wine or through running iOS titles natively, which M1-based Macs are capable of. In the past, Macs could run games by installing Windows through Apple’s Bootcamp solution, but M1-based chips can’t boot natively into any flavour of Windows, not even Windows for ARM.
Gaming on Mac has historically been quite problematic and that remains the case right now - native ports are thin on the ground and when older titles such as No Man’s Sky and Resident Evil Village are mooted for conversion, it’s much more of a big deal than it really should be. Perhaps it’s the expense of Apple hardware, perhaps it’s the size of the addressable audience or maybe gaming isn’t a primary use-case for these machines, but there’s still the sense that outside of the mobile space (where it is dominant), gaming isn’t where it should be - Steam Deck has shown that compatibility layers can work and ultimately, perhaps that’s the route forward. Still, M1 Max and especially M1 Ultra are certainly very capable hardware and it’ll be fascinating to see how gaming evolves on the Apple platform going forward.
Digital Foundry’s results highlight that tech specs are necessary but not sufficient for videogame industry success. The Mac hasn’t been in the same league as high-end gaming PCs for a long time, and tech specs historically were just one of the issues. Given Apple’s lackluster history in desktop gaming, it’s fair to be skeptical about whether the company can attract the developers of current-generation, top-tier games to the Mac. Still, for the optimists in the crowd, the power of the M1 Ultra has brought the Mac a long way from where it stood during the Intel-baed days as a gaming platform. Personally, I’m a skeptical optimist with one foot in each camp. The hardware is heading in the right direction, but the jury’s still out on the software and Apple’s business plan to attract game developers.
For the past few months, I’ve been living a double life.
Most of you probably know me as “the iPad guy”. And rightfully so: the iPad – more specifically, the iPad Pro – is my favorite computer Apple’s ever made; my coverage of iPad, iPad apps, and, later, iPadOS has far exceeded everything else on MacStories for the last 10 years. I’ve long considered myself primarily an iPad user and someone who strongly believes in the platform because there’s nothing else like it. I don’t think I need to tell that story again.
For these reasons, as you can imagine, when Apple got in touch with me last November asking if I wanted to try out one of the new MacBook Pros with the M1 Max chip, I welcomed their suggestion with a mix of surprise, trepidation, and, frankly, genuine curiosity. What could I, a longtime iPad user, even contribute to the discourse surrounding the comeback of the Mac lineup, the performance of Apple silicon, and the reality of modern Mac apps?
But I was intrigued by the proposal regardless, and I said yes. I was very skeptical of this experiment – and I told Apple as much – but there were a few factors that influenced my decision.
First and foremost, as many of you have probably noticed, I’ve grown increasingly concerned with the lack of pro software (both apps and OS features) in the iPad Pro lineup. As I wrote in my review last year, iPadOS 15 was, by and large, a quality-of-life update that made iPadOS more approchable without breaking any new ground for existing pro users of the platform. As much as I love the iPad, at some point I have to face its current reality: if Apple thinks iPadOS isn’t a good fit for the kind of functionalities people like me need, that’s fine, but perhaps it’s time to try something else. If my requirements are no longer aligned with Apple’s priorities for iPadOS, I can switch to a different computer. That’s why I believe 2022 – and the upcoming WWDC – will be a make-or-break year for iPad software. And I don’t think I’m the only iPad user who has felt this way.
Second, the arrival of Shortcuts on macOS Monterey gave me an opportunity to expand and rethink another major area of coverage for MacStories, which is automation. Along with iPad and iOS, I consider Shortcuts the third “pillar” of what I do at MacStories: with the Shortcuts Archive, Shortcuts Corner and Automation Academy on Club MacStories, and Automation April, I’m invested in the Shortcuts ecosystem and I know that our readers depend on us to push the boundaries of what’s possible with it. With Shortcuts on macOS, I felt a responsibility to start optimizing my shortcuts for Mac users. That meant learning the details of the Shortcuts app for Mac and, as a result, use macOS more. From that perspective, Apple’s review unit couldn’t have come at a better time.
Third, and perhaps most important to me and least helpful for you all, is one of my greatest fears: becoming irrelevant in what I do. As a writer, I guess I shouldn’t say this; I should say that I write for me, and that I would write regardless, even if nobody read my stuff. But as a business owner and someone who’s gotten used to having a medium-sized audience, that would be a lie. I love the fact that I can write for my readers and get feedback in return. I love that I can write something that is wrong and be corrected by someone. I don’t want to lose that. Do you know what’s a really easy way to make it happen? Grow into someone who’s stuck in their ways, only writes about a certain topic, and doesn’t think anything else is worth trying or even remotely considering. In my case, I don’t want to look back at MacStories in 10 years and regret I didn’t at least try macOS again because I was “the iPad guy” and I was “supposed to” only write about a specific topic. I make the rules. And the rule is that curiosity is my fuel and I was curious to use macOS again.
So that’s my context. For the past six months, I’ve been using my MacBook Pro instead of the iPad Pro to get my work done on a daily basis. I’ve kept using the iPad Pro to test my shortcuts, read articles, and write in places where I didn’t have enough room for a MacBook, but, by and large, I’ve lived the macOS lifestyle for half a year by now.
As we head into WWDC, here’s my story on how this experiment went.
Thursday is Global Accessibility Awareness Day. To mark the occasion, Apple has announced a long list of accessibility features coming to its products later this year and shared other ways it is celebrating the day through its apps and services.
Apple’s press release sums up the features coming to the iPhone, iPad, Mac, and Apple Watch as follows:
Using advancements across hardware, software, and machine learning, people who are blind or low vision can use their iPhone and iPad to navigate the last few feet to their destination with Door Detection; users with physical and motor disabilities who may rely on assistive features like Voice Control and Switch Control can fully control Apple Watch from their iPhone with Apple Watch Mirroring; and the Deaf and hard of hearing community can follow Live Captions on iPhone, iPad, and Mac. Apple is also expanding support for its industry-leading screen reader VoiceOver with over 20 new languages and locales. These features will be available later this year with software updates across Apple platforms.
Door Detection will be part of the Magnifier app later this year. The feature helps blind and low vision users find and navigate doors when they arrive somewhere. The feature will judge the distance to the door using LiDAR, describe the door’s attributes, like whether it opens by pushing or using a doorknob, and read signs and symbols next to doors.
Apple Watch Mirroring.
The Apple Watch will add several Physical and Motor accessibility features too. Apple Watch Mirroring, which is built on AirPlay in part, will allow users with physical and motor disabilities to control their Watches from an iPhone using Voice Control, Switch Control, voice commands, sound actions, head tracking, and Made for iPhone switches. The Apple Watch will also add a new double pinch gesture for controlling, like answering and ending phone calls and taking photos.
Apple Watch will add a new double pinch gesture.
For Deaf and hard of hearing users, Apple will add Live Captions on the iPhone, iPad, and Mac. Apple says captioning will work with video calling apps like FaceTime, streaming video services, video conferencing apps, and in-person conversations. Live Captions occur on-device to preserve privacy, and on the Mac, users will be able to type a response that will be spoken aloud.
VoiceOver will get an update, too, adding the following languages:
Arabic (World)
Basque
Bengali (India)
Bhojpuri (India)
Bulgarian
Catalan
Croatian
Farsi
French (Belgium)
Galician
Kannada
Malay
Mandarin (Liaoning, Shaanxi, Sichuan)
Marathi
Shanghainese (China)
Spanish (Chile)
Slovenian
Tamil
Telugu
Ukrainian
Valencian
Vietnamese
VoiceOver on the Mac will also gain Text Checker that will discover formatting issues.
Additional upcoming accessibility features.
Apple previewed several other upcoming accessibility features across its products, including:
Buddy Controller, the ability for someone to use a second game controller to assist with playing a game as though the two controllers were one
Siri Pause Time, which will allow users to customize the period Siri waits before responding to a user
Voice Control Spelling Mode, for dictating words letter-by-letter
Customizable sound recognition of the sounds in your environment
New themes and text adjustments in the Books app for a more accessible reading experience
Apple apps and services are celebrating Global Accessibility Awareness Day, too.
Also, Apple has announced that Global Accessibility Awareness Day is being celebrated with Apple Store sessions, an Accessibility Assistant shortcut in the Shortcuts app, special Fitness+ sessions and Time to Walk or Push episodes, an accessibility-oriented Maps guide, and highlighted content on the App Store and in Apple Books Apple Podcasts, Apple Music and Apple TV.
We’ve seen Apple announce accessibility features coming to future versions of its OSes before, but today’s announcement is unique given the number of features revealed. I’m eager to try these features out. Based on what Apple has said, there seems to be a lot here that will make meaningful impacts on a lot of users’ everyday lives.
To mark Star Wars Day, Apple released a special Behind the Mac video featuring the sound designers of Skywalker Sound, who rely heavily on Apple devices. The film, which runs just under 17 minutes, is a fascinating look at how the Skywalker Sound team captures and mixes real-world sounds that they transform into otherworldly sound effects for the Star Wars movies and other films.
The Behind the Mac video, which is currently featured on Apple’s homepage, focuses on Skywalker Sound’s production process from start to finish. Behind the scenes, the group’s mixing and editing are backed by a lot of Apple hardware. Sound editor Ryan Frias is featured in the video touring Skywalker Sound’s central machine room, which is filled with racks of Mac Pros. According to Apple’s press release:
With the power of approximately 130 Mac Pro racks, as well as 50 iMac, 50 MacBook Pro, and 50 Mac mini computers running Pro Tools as their main audio application, along with a fleet of iPad, iPhone, and Apple TV devices, Skywalker is advancing sound artistry and reshaping the industry.
That’s a lot of gear, but the video’s primary focus is on the creative process of the professionals at Skywalker Sound, who have been pushing the boundaries of sound design for many years. If you enjoy getting a behind-the-scenes look at creative people doing cutting-edge work, I recommend checking out Behind the Mac: Skywalker Sound.
