Posts tagged with "music"

Apple Music’s Beats 1 Introduces New Music Daily with Zane Lowe

On Friday, Apple Music’s Beats 1 debuted a new Zane Lowe show called New Music Daily featuring the best new music across several genres along with interviews and commentary designed to complement Apple Music’s playlist of the same name.

As described by Apple, New Music Daily is all about what is hot now:

Music moves fast. To keep up with hungry fans and tireless creators, Apple Music launched New Music Daily, our playlist for the latest and greatest must-hear songs from pop, hip-hop, Latin, and beyond. This show, broadcasting live on Apple Music every Friday, is the playlist brought to life: Hosted by Zane Lowe, it features interviews with today’s most important artists, sharp commentary, and, of course, all the new songs you need to hear right now.

The show streams live on Apple Music every Friday at Noon New York time and can be replayed later.

Lowe’s new show is a companion to Apple Music’s New Music Daily playlist, which is updated daily and is a rebranded version of its Best of the Week playlist. Listeners can visit a dedicated page in Apple’s Music app that collects the show and playlist as well as video interviews with recording artists in one place.

The inaugural episode of New Music Daily, which runs just over one hour, spotlights a wide range of music and interviews including appearances by Selena Gomez, Coldplay’s Chris Martin, and an excerpt from a longer interview with Taylor Swift that will be released next week. New Music Daily’s Apple Music page also includes excerpts of upcoming video interviews with Taylor Swift and Kanye West.

In an interview with People.com, Lowe, who is Apple Music’s global creative director, expanded on his vision for how the playlist and new show will work together:

Our New Music Daily playlist was built in the image of the artist and the fan. Music is constant and it’s in the hands of the artists now. Artists don’t want to wait anymore, and we wanted a really big playlist that reflected that sentiment and could do it quickly. I’ll be in the studio with artists and I ask when they’re putting something out and they’ll say, “I don’t know, in an hour?” We’ve been clearing that space for artists for years, and with New Music Daily as a live show we’ll continue to event-ize music, bringing an audience around shared listening moments, and reflecting the way artists want to release music on their own terms.

One of the consequences of streaming music services is that the release of an album is often not the way people hear the latest music from their favorite artists anymore. Instead, musicians release a steady stream of singles and EPs, only occasionally collecting them as full-length albums. It’s the kind of continuous change that demands a different approach to how new material is surfaced.

Having listened to the first episode of New Music Daily, it strikes me as a formula that will work. The playlist currently includes 85 songs, which is a lot. What Lowe’s new show does is provide context through his interviews and commentary that serve as an entry point into the larger playlist. By sending listeners to the playlist for the latest tracks from pop culture phenomenons like Swift and Gomez, New Music Daily can help spread awareness of lesser-known, emerging artists that included too.

You can check out the first episode of New Music Daily that aired Friday here.

Apple Music Introduces ‘New Music Daily’ Playlist

Recently Apple Music has been in the process of rebranding many of its longstanding editorial playlists, such as turning The A-List: Alternative into ALT CTRL and The A-List: Hip-Hop into Rap Life. These changes have reflected a shift in brand tone, but not a fundamental difference in the content of the playlists. The latest playlist change, however, is bit more substantial. What was formerly known as Best of the Week has been changed to New Music Daily, which as its name implies, makes this a daily-updated playlist rather than weekly.

New Music Daily aims to collect the most noteworthy new songs across a variety of genres around the world. Today on its launch, it’s filled with lots of Taylor Swift to coincide with her new album’s release, but it will be interesting to see what shape the playlist takes from day to day.

The most newsworthy detail about New Music Daily is simply its update schedule, which is fairly unique for Apple Music. Historically Apple’s editorial team has focused on providing weekly updates for its big playlists, or even rarer updates for less popular playlists, so the transition to daily is a big shift. I don’t expect we’ll see many other playlists follow suit, due to the sheer amount of labor required in editorially selecting songs each day, but it’s nice to see Apple’s team enter new territory.

Libratone’s Zipp 2 and Zipp Mini 2 Portable Wireless Speakers: The MacStories Review

I love my two HomePods. One sits in my living room and the other in my studio. When I finish working for the day, I can ask Siri to move my music from the studio to the living room where I continue what I’m listening to as I make dinner and relax. Most of the time, both HomePods are also within earshot for issuing Siri commands to turn lights on and off, add items to my grocery list, and kick off shortcuts.

Here’s the thing though: it’s summertime. I’m spending time outdoors and going on road trips to visit family. Meanwhile, my HomePods remain tethered to the wall by power cords. They’ll be there waiting when I return, but when I’m on the go, my HomePods are useless, which prompted me to start looking at portable speakers that could reach beyond the walls of my home.

My research led me to Libratone’s Zipp 2 and Zipp Mini 2 wireless speakers, two of the only wireless solutions I’ve found that support Apple’s AirPlay 2 audio streaming technology. Libratone sent me one of each model for testing, and I’ve spent the past few months using them in different spots around my house, in my backyard, and at the beach. Both speakers deliver on the versatility I was looking for, extending the ways and places I can play music. However, neither of the Zipp speakers was quite as simple to use or reliable as the HomePod. The few issues I ran into are balanced out in no small measure by the versatility of the Zipp speakers though, which depending on your needs makes them a worthy replacement for or supplement to the HomePod.

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Miximum Review: Smart Apple Music Playlists on iOS

Leading up to WWDC last month, rumors indicated that iTunes on the Mac was being split into multiple apps, including standalone Music, TV, and Podcasts apps. It was expected that Apple might use its Catalyst technology (formerly known as Marzipan) to base the new Music app on Music for iPad, or vice versa. The hope among many iPad users was that the iPad might benefit from a more robust Apple Music client featuring power user features already available on the Mac, such as Smart Playlists.

WWDC came and went, and that wish was left unfulfilled. While macOS Catalina does introduce a new Music app, it wasn’t built using Catalyst, and as a result the iPad version of Music is light on meaningful improvements this year.

Filling the void left by Apple, however, is a new third-party app called Miximum, which is an Apple Music-integrated utility dedicated to smart playlist creation on iOS.

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I Won’t Sit Down: Songwriting with Frank Turner (Part 2)

Today on Dialog, we published the conclusion of our interview featuring musician and songwriter Frank Turner.

To wrap things up with speak to Turner about the democratization of the creation, access, and distribution of music and other media, the role of hard work and luck, the songwriting process, when to listen to feedback and from whom, editing your work, the role of technology in songwriting, the state of albums today, and a whole lot more. It was a fantastic way to finish up, so be sure to check it out.

You can find the episode here or listen through the Dialog web player below.

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Next Tuesday, we’ll have the first part of a two-part interview with screenwriter and director John August, who has written screenplays for movies like Big Fish, Charlie and the Chocolate Factory, Frankenweenie, and many others. August is also a podcaster and is behind the variant of Markdown for screenwriters known as Fountain, the Highland 2 text editor, the Courier Prime typeface, and the Arlo Finch series of books. Join us the next two weeks for a fantastic wide-ranging discussion of screenwriting, productivity, apps, typefaces and lots more.

I Won’t Sit Down: Songwriting with Frank Turner (Part 1)

In the fall of 2013, I sat in the first row balcony of The Vic theater on Chicago’s north side. I was there to see Frank Turner and the Sleeping Souls for the first time. Can you see me stage left in the baseball cap?

Today, we published the latest interview of Dialog Season 1 featuring musician and songwriter Frank Turner.

You can find the episode here or listen through the Dialog web player below.

There’s something about Turner’s songs that grabbed hold of me in 2013 and has brought me back to several live shows since. Aside from Turner’s music, which I love, part of the draw was his abrupt break with his musical past. I found Turner’s jump from post-hardcore band Million Dead to a folk-inspired, acoustic guitar-based solo career inspiring as I contemplated a career departure myself.

There’s also something in Turner’s autobiographical, personal style of songwriting that connects with listeners and transcends differences in their experiences, which I find intriguing. It reminds me of the discussion Federico and I had in episode 1 about writing personal stories. Those are often the hardest stories to write, but they can also be the most rewarding when, despite different backgrounds, others draw something useful from them. In today’s episode, we explore that aspect of Turner’s music, his relationship with fans, and the interpretation of his lyrics.

We also trace Turner’s early years of constant touring and how he’s managed to find the time to write new songs and books while on tour. We talk about social media’s dual nature as a useful tool and destructive force in society too; a topic that has become a common theme among Dialog guests. Finally, we touch on the evolving music industry and how it’s affected Turner’s career as a musician.

Photo Credit: Nicole C. Kibert

Photo Credit: Nicole C. Kibert

The title of the episode is drawn from Turner’s song Photosynthesis:

I won’t sit down,
And I won’t shut up,
And most of all I will not grow up.

The lyrics reflect a stubborn defiance of authority and expectations combined with a restless energy that I think captures Turner’s musical career and the mindset of many of the other writers we have already interviewed and will interview soon.

I hope you enjoy the interview. When we sat down to plan Dialog, Frank Turner was precisely the sort of guest I had in mind: someone working in a creative field affected by many of the same technological issues other writers face, but with a unique perspective on them. Be sure to check out the show notes for the episode to learn more about Turner and his music, and stay tuned for the conclusion of our interview next Tuesday.

Also, we’d appreciate it if you would rate Dialog in Apple Podcasts, recommend it in Overcast, or simply tell a friend about it.

Marvis Review: The Ultra-Customizable Apple Music Client

Marvis is a music player that launched on iPhone just two months ago, yet in a 3.0 update today expands its usefulness immensely thanks to a major new feature: full Apple Music integration. With today’s release, Marvis joins the growing list of third-party apps that use Apple’s MusicKit API to offer access to and control of your Apple Music library.

Marvis follows in the footsteps of Soor, which Federico reviewed earlier this year, in prioritizing layout customization as one of its hallmark advantages over Apple’s first-party Music app. Pushing beyond what even Soor accomplished though, in Marvis customization is taken to a whole new level, with fine-grained design options that no other app can compare with.

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PageTurn Uses Facial Recognition for Hands-Free Navigation of PDFs, Perfect for Musicians

Developer and musician Stephen Coyle just released a new app that enables hands-free page turning of PDFs via facial expressions. The aptly-named PageTurn utilizes the power of the TrueDepth camera system found in all iOS devices that support Face ID – the iPhone X, XR, XS, and XS Max, plus the 2018 iPad Pros – to enable turning pages of a PDF using only your face.

There are two options of facial gestures available to control page turning: mouth control, which is the default, or wink control. Mouth control works by tracking the movement of your mouth: if you move it right, you’ll advance forward a page, while moving it left goes back a page. Wink control advances forward with a right wink, and goes back with a left wink. With both of these options, PageTurn provides the ability to set sensitivity so you can customize each gesture to whatever’s most comfortable for you. It feels odd at first making these gestures to turn pages, but in my experience it quickly became comfortable.

PageTurn was designed primarily for musicians, who often bear the unenviable task of turning pages of sheet music while both their hands are occupied playing an instrument. It works with any PDF though, so readers can have hands-free page navigation as well. You can get PDFs into the app via the import button in the upper-left corner, which opens a Files picker, or if you have a PDF open in another app, you can copy it to PageTurn using the share sheet.

PageTurn is a simple utility, but for those who could benefit from it – musicians in particular, and also users with accessibility needs – it’s a potentially revolutionary tool that enables new ways of doing a common task that weren’t previously possible. The app is a shining example of the creativity of indie developers.

Zane Lowe on Why Apple Music Is in the Storytelling Business→

Speaking of Apple Music and Billie Eilish, Tim Ingham, writing at Music Business Worldwide, has an interview with Zane Lowe. It’s a good interview that covers a range of topics from how Lowe builds relationships with artists to what differentiates Apple Music and what they see in Billie Eilish.

An artist like Billie Eilish thinks in sounds, she thinks in colors, she thinks in visuals, she thinks in collaborations, she thinks in all kinds of different forms of creativity. When you’re dealing with an artist like that, it opens all these other areas that you can help build things around.

With Billie, there’s color everywhere, this attitude and it’s like, ‘Wow, this is really interesting.’ At Apple, because of where we’ve all come from, we understand streaming, but [we’re thinking], ‘How can we make a streaming service that is deeper and more layered and speaks to the aspects of music we grew up loving?’

I don’t ever want to look back on my time in the streaming era and think, ‘Yeah man, great job at just building a utility.’

Functionality is so important; [a service] needs to work and it needs to be intuitive. But there should 100% be room for creative discovery and it should be 100% driven by the artists, or at least in collaboration with artists.

See also: this interview with Billie Eilish and her brother/co-writer Finneas and Zane Lowe from last month. It was originally posted on Beats 1 but you can also watch the YouTube video below.

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