One of Workflow’s least known functionalities is its ability to get details about the hardware it’s running on and control some system features. Among these, Workflow can both retrieve an iOS device’s current volume level and set the volume. A few days ago, I realized I could make a workflow to quickly adjust my iPhone’s volume when streaming music to one of our HomePods. Unlike other automations I’ve crafted over the years, this workflow was quite a success in our household and I felt like it was worth sharing with the wider MacStories audience.
Posts tagged with "music"
How to Adjust iOS’ Volume via Workflow When Streaming Audio to HomePod
New ‘Music Videos’ Section Appears in Apple Music→
Benjamin Mayo, writing for 9to5Mac, notes that a new ‘Music Videos’ section has appeared in the Music app this morning, likely ahead of the public release of iOS 11.3.
Music videos have been part of the Apple Music service since its inception, with unlimited ad-free video playback included in the monthly subscription.
The updates take the content that was always available and make it more prominent with recommendations and continuously updated editorial, akin to the New Music page for singles and albums.
Users could always make their own playlists of music videos but now Apple is tailoring its own for customers to play and subscribe to. This feature will be especially useful on Apple TV, now you can simply setup Apple Music on your TV to play top songs with the accompanying videos.
It’ll be interesting to see how personalized this section will be over time. Right now, it’s primarily focused on exclusive videos and curated playlists (such as the new Today’s Video Hits and The A-List: Pop Videos). One of my favorite aspects of YouTube is how its front page can reliably recommend new videos based on my music preferences; I wonder if this Apple Music section is going to do the same, either via personalized suggestions or push notifications for new videos.
(Something else I would have liked to see for video playlists: right now, if you start a playlist and enable Picture in Picture on iPad, the floating video popup closes as soon as the current video ends. I’d love to see a persistent Picture in Picture mode that remains enabled throughout an entire video playlist.)
Spotify Is Testing Voice Control of Its iOS App
Spotify is testing a voice navigation feature that lets users search for and play songs, albums, and playlists in the music streaming service’s iOS app. The feature, which was first reported by TechCrunch, is found under the Spotify app’s Search tab, but it’s currently only available to a small number of users.
Casey Newton of The Verge got a chance to try the feature:
I got early access to the test and tested out the feature set. In short, it’s an excellent step forward for navigation in app that has historically required too much tapping and typing to get where you’re going.
Spotify confirmed the test to both TechCrunch and The Verge but declined to provide any details.
If you have the feature, it appears as a microphone icon inside a circular white button in the search view. According to Newton, voice search provided ‘mostly accurate results.’
Spotify’s experiment with voice commands is notable because rumors have been circulating that it is developing a smart speaker to compete with offerings from Apple, Amazon, and Google. It’s not as useful as having built-in voice search functionality, but unless Apple opens up Siri to other music services, building the feature into its iOS app is also the closest Spotify can get to working like Apple Music on the HomePod.
Apple Confirms It Will No Longer Accept New iTunes LP Content After March 2018
In 2009, Apple introduced iTunes LP content as an enticement for music fans to purchase full albums. The format bundled an album with additional material like bonus tracks, liner notes, videos, and other extras. Earlier today, the UK-based website Metro reported that it had seen an email message from Apple to music industry professionals announcing that it will not accept iTunes LP content after March 2018, which Apple subsequently confirmed to The Verge.
The format, built from a bundle of JavaScript controller files, CSS, HTML, XML, an iTunesMetadata.plist file, images, and videos, never took off.1 Contrary to Metro’s initial report that Apple is deprecating iTunes LPs entirely though, Apple told The Verge that:
While iTunes LP submissions will end this month, existing iTunes LPs will not be depreciated. Not only will these iTunes LPs continue to be available, but users will still be able to download any previous or new purchases of iTunes LPs at any time via iTunes.
The decision to no longer offer new iTunes LP content is not surprising in light of the decline of music sales industry-wide and the rise of streaming services like Apple Music.
- If you’re curious which albums are available as iTunes LPs, there’s a list on Wikipedia. ↩︎
Apple Music’s Archaic Album Categorization→
Benjamin Mayo sums up one of the most annoying features of Apple Music: the way the service thinks everything is an “album”, making it extremely inconvenient to find what you’re looking for.
These artefacts of compact discs show up again when looking at an artist page. What a human would think of as an artist’s albums, and what Apple Music lists, are completely different. EPs, singles, specials, deluxe, originals are all shoehorned under one name ‘Albums’. There is no way to filter these out. This really makes finding what you want hard. When you know what you want to find, all this backwardly organised catalogue gets in your way.
There has to be a better method than packaging everything up with the same ‘album’ label. This is not a hard problem, I thought to myself. In fact, it’s already been solved … by Spotify. As you have probably noticed by now, I have included a graphical illustration of Apple Music’s biggest flaw alongside this article. If you can’t see it, your browser isn’t wide enough. If you are reading outside of a browser, like RSS, this probably won’t show up for you either. Use a browser. I encountered this exact scenario in my first day of using the service. I did not fabricate it.
Don’t miss the effective visualization of this problem on his post.
I like Apple Music, but this has been a problem since the service launched almost three years ago, and it’s time for a fix.
Here’s what makes this even more annoying: Beats Music – the very service Apple Music is largely based on – visualized albums, compilations, and different editions in separate tabs/views. Two of the worst Apple Music features (album categorization and the separation of playlists made by you vs. those made by others) had already been fixed by Beats Music, but Apple went for an inferior design that is still with us today.
Shazam Updated with Synchronized Lyrics and a New Design
When Apple acquired Shazam, people wondered what would become of the popular song identification and music discovery app. It’s not unusual for an app acquired by a big company to be pulled from the App Store or for development to slow substantially. Questions were also raised about whether Shazam would continue to support Apple’s music streaming rival, Spotify.
As it turns out, Shazam has continued to be updated and support Spotify since Apple’s acquisition. In fact, there have been at least four updates to Shazam since the acquisition including one today that adds synchronized lyrics and a design refresh of the app’s results screen.
The new UI looks great. The results screen is dominated by a background image of the artist. In the foreground is a big play button, the name of the song the app recognized, and the name of the artist. If you tap on the artwork, you get an image of the artist and album in some cases, plus more details on the artist, album, song, and release date.
Along the top of the results screen is a menu you access by swiping horizontally that includes lyrics, videos, additional songs by the artist, and related artists. If you swipe over to the lyrics screen while a song is playing, they are displayed in perfect synchronization with the song that’s playing, which is perfect for impromptu karaoke moments. Adding songs to Apple Music and Spotify playlists has been streamlined too – it now takes one less tap to add a song to a playlist.
One thing to keep in mind though, is that if you’re using the iOS 11.3 beta, playback is broken throughout the app. Tapping on any play button freezes the entire UI and requires you to force quit the app. Playback works as expected if you’re not on the beta, however.
Shazam is available on the App Store.
Full Breakdown of Audio That HomePod Can and Can’t Play→
We know the HomePod works great with Apple Music, but for those who aren’t Apple Music subscribers, what audio content can the HomePod still play for them – with Siri support, and without?
Serenity Caldwell has put together a comprehensive guide for iMore that answers that question in exacting detail, filling in the gaps left by Apple’s official marketing disclosures.
For iTunes Match subscribers, it’s good news.
Apple Rolls Out Beta of ‘Apple Music For Artists’ Analytics Dashboard→
Speaking of music services, Billboard’s Melinda Newman reports on today’s beta launch of Apple Music For Artists, a dashboard to provide artists with hundreds of data points about their fans’ listening habits.
The initial beta rollout involves a few thousand artists who will test the product and see what adjustments and expansions, if any, should be made before Apple Music for Artists opens in the Spring to the several million artists with content on the iTunes and Apple Music platforms. Later plans call for a mobile app.
The easily navigable dashboard’s home page provides artists with their current number of plays, spins, song purchases and album purchases. The user can specify the time period ranging from the past 24 hours to the 2015 launch of Apple Music.
Other services have offered similar analytics products for years, but Billboard notes that Apple’s take features more depth and a cleaner user interface for artists.
In addition to broad strokes, artists can drill down on a granular level in myriad ways. A global map allows musicians to click on any of the 115 countries in which Apple Music/iTunes is available and find out what’s happening with their music. They can select individual cities and see how many plays and sales they have in each market, as well as look at their top songs in every city. They may further examine the listener demographics per city, for example, calling up how many times females ages 16-24 in Los Angeles have listened to a particular song.
[…]
Additionally, artists can view all Apple-curated playlists on which they appear, see how many plays they receive and how they are trending over time.
If you’re an artist offering content on Apple Music, this sounds like a pretty cool addition to the service, especially because you can inspect data going back to Apple Music’s launch over two years ago.
Spotify’s Playlists as Musical Events→
Victor Luckerson, writing at The Ringer, makes a good point about how Spotify’s algorithmic playlists have turned into the cultural phenomenon that Apple wanted to build around Apple Music:
Spotify is in much the same position right now. With its regularly refreshing playlists, which rearrange artists’ music into a new kind of original content, Spotify has become a beloved musical destination rather than just a tool. It’s an iPod and a radio and a BuzzFeed “Which Drake Album Matches Your Personality?” quiz at the same time. Taylor Swift may have a legion of fans, but Discover Weekly does as well. Those always-updating playlists are now the must-attend musical events that Apple was trying to create around exclusive albums and radio shows.
As I wrote many times here on MacStories, I’d love for Apple to consider more smart playlist features akin to Spotify’s Discover Weekly and Daily Mixes.
This is also interesting:
Netflix used its power as an entertainment destination to nudge its users to watch its own original programming. Now instead of being indebted to Hollywood, the tech company seems to run it. Spotify isn’t there yet, and successfully making the Netflix pivot will be tougher because music isn’t as valuable to investors as video. Its attempts to diversify with original content have so far been nonstarters, and despite persistent rumors, the company hasn’t yet tried to establish its own record label.
Given Jimmy Iovine’s recent comments on music services and original content (“Guess how much original content streaming has: zero!”), I wonder if the future of music may indeed veer towards the current TV streaming model, with albums made exclusively for specific music streaming services (and as a heavy music listener, this possibility scares me).