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Posts tagged with "photography"

What’s in My CES Bag?

Packing for CES has been a little different than WWDC. The biggest differences are the huge crowds at CES and the limits the conference puts on the bags you can carry into venues.

My trusty Tom Bihn Synapse 25 backpack isn’t big, but it’s too large for CES, so the first thing I did was look for a bag that was small enough to meet the CES security rules but big enough to hold my 14” MacBook Pro and 11” iPad Pro, plus accessories. I decided on a medium-sized Tomtoc Navigator T24 sling bag, which is the perfect size. It holds 7 liters of stuff and has built-in padding to protect the corners of the MacBook Pro and iPad as well as pockets on the inside and outside to help organize cables and other things.

Tomtoc's medium Navigator T24 sling bag. Source: Tomtoc.

Tomtoc’s medium Navigator T24 sling bag. Source: Tomtoc.

I don’t plan to carry my MacBook Pro with me during the day. The iPad Pro will be plenty for any writing and video production I do on the go, but it will be good to have the power and flexibility of the MacBook Pro when I return to my hotel room. For traveling to and from Las Vegas, I appreciate that the Tomtoc bag can fit everything I’m bringing.

A surprising amount of stuff fits in the T24. Source: Tomtoc.

A surprising amount of stuff fits in the T24. Source: Tomtoc.

With little room to spare, my setup is minimal. I’ll write on the iPad Pro and MacBook Pro, carrying the iPad with me tethered to my iPhone for Internet access. That’s a tried-and-true setup I already use whenever I’m away from home.

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Lux Reveals Plans for Halide Mark III

Yesterday, the team at Lux announced that they are working on the next major release of their pro camera app, Halide, which will be dubbed Halide Mark III. The next iteration of Halide, which Lux hopes to release in 2025 will focus on three areas:

  • Color Grades: Like Kino, their App Store iPhone App of the Year for shooting video, Lux plans to add custom color grading to Halide.
  • HDR: Lux is developing its own implementation of High Dynamic Range that will give Halide’s photos “a thoughtful and nuanced HDR look.”
  • Redesign: Although Lux has not revealed any details, Halide will be redesigned, which should include a focus on color grading.

In addition to upcoming features, Lux announced a new community Discord for Halide and Kino, to collect feedback from customers and to allow them to share their interest in photography. The Discord and social media will also be where users can participate in the Halide and Kino 52-Week Challenge:

Every week you’ll get a photography challenge on our Discord. We’ll also include resources to help with the challenge — like app-specific tips. The challenge will be shared there and on our social media. Once you’ve got your shot, you can share your shots and see what the rest of the community came up with.

I love both Halide and Kino, and I’m intrigued by Lux’s new approach to development. Running a community can be challenging, but I expect the feedback Lux gets from users will be invaluable, as they work on the next big update to one of the App Store’s best camera apps.

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Kino 1.2 Adds Camera Control Support and Higher Resolution and Frame Rate Recording

Source: Lux Camera.

Source: Lux Camera.

Lux Camera’s video camera app Kino has been updated to version 1.2, bringing a variety of new features and a redesigned icon. I covered the debut of Kino back in May and have been using it a lot lately because its design makes taking great-looking video so easy.

At the heart of Kino’s 1.2 update is support for the latest iPhones. Kino now works with the iPhone 16 and 16 Pro’s Camera Control for making adjustments that previously were only possible by touching your iPhone’s screen.

Kino Instant Grades. Source: Lux Camera.

Kino Instant Grades. Source: Lux Camera.

On the 16 Pro, the app also supports 4K video at 120fps with its Instant Grade feature enabled. That’s the feature that lets you pick a color grading preset created by video experts, including Stu MaschwitzSandwich VideoEvan SchneiderTyler Stalman, and Kevin Ong. Version 1.2 of Kino lets you reorder those grades in its settings to make your favorites easier to access. Finally, Kino has added support for the following languages: Chinese, Dutch, French, German, Italian, Japanese, Korean, Portuguese, Russian, and Spanish.

If you haven’t tried Kino before, it’s available on the App Store for $9.99.


Pixelmator Team to Join Apple

Today, the Pixelmator team (this and next week’s MacStories sponsor) announced on their company blog that they plan to join Apple after regulatory approvals are obtained. The Pixelmator team had this to say about the news:

We’ve been inspired by Apple since day one, crafting our products with the same razor-sharp focus on design, ease of use, and performance. And looking back, it’s crazy what a small group of dedicated people have been able to achieve over the years from all the way in Vilnius, Lithuania. Now, we’ll have the ability to reach an even wider audience and make an even bigger impact on the lives of creative people around the world.

Pixelmator also says:

There will be no material changes to the Pixelmator Pro, Pixelmator for iOS, and Photomator apps at this time.

The Pixelmator Team’s apps have always been among our favorites at MacStories. In 2022 we awarded Pixelmator Photo (now, Photomator), the MacStories Selects Best Design Award, and in 2023, Pixelmator received our MacStories Selects Lifetime Achievement Award. Congratulations to everyone at Pixelmator. We can’t wait to see what this exciting new chapter means for them and their fantastic suite of apps.

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Apple’s Commitment to AI Is Clear, But Its Execution Is Uneven

The day has finally arrived. iOS 18.1, iPadOS 18.1, and macOS 15.1 are all out and include Apple’s first major foray into the world of artificial intelligence. Of course, Apple is no stranger to AI and machine learning, but it became the narrative that the company was behind on AI because it didn’t market any of its OS features as such. Nor did it have anything resembling the generative AI tools from OpenAI, Midjourney, or a host of other companies.

However, with today’s OS updates, that has begun to change. Each update released today includes a far deeper set of new features than any other ‘.1’ release I can remember. Not only are the releases stuffed with a suite of artificial intelligence tools that Apple collectively refers to as Apple Intelligence, but there are a bunch of other new features that Niléane has written about, too.

The company is tackling AI in a unique and very Apple way that goes beyond just the marketing name the features have been given. As users have come to expect, Apple is taking an integrated approach. You don’t have to use a chatbot to do everything from proofreading text to summarizing articles; instead, Apple Intelligence is sprinkled throughout Apple’s OSes and system apps in ways that make them convenient to use with existing workflows.

If you don't want to use Apple Intelligence, you can turn it off with a single toggle in each OS's settings.

If you don’t want to use Apple Intelligence, you can turn it off with a single toggle in each OS’s settings.

Apple also recognizes that not everyone is a fan of AI tools, so they’re just as easy to ignore or turn off completely from System Settings on a Mac or Settings on an iPhone or iPad. Users are in control of the experience and their data, which is refreshing since that’s far from given in the broader AI industry.

The Apple Intelligence features themselves are a decidedly mixed bag, though. Some I like, but others don’t work very well or aren’t especially useful. To be fair, Apple has said that Apple Intelligence is a beta feature. This isn’t the first time that the company has given a feature the “beta” label even after it’s been released widely and is no longer part of the official developer or public beta programs. However, it’s still an unusual move and seems to reveal the pressure Apple is under to demonstrate its AI bona fides. Whatever the reasons behind the release, there’s no escaping the fact that most of the Apple Intelligence features we see today feel unfinished and unpolished, while others remain months away from release.

Still, it’s very early days for Apple Intelligence. These features will eventually graduate from betas to final products, and along the way, I expect they’ll improve. They may not be perfect, but what is certain from the extent of today’s releases and what has already been previewed in the developer beta of iOS 18.2, iPadOS 18.2, and macOS 15.2 is that Apple Intelligence is going to be a major component of Apple’s OSes going forward, so let’s look at what’s available today, what works, and what needs more attention.

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Photomator 3.4 Adds Photo Flagging, Rating, and Filtering

Today, Photomator 3.4 was released, adding flagging, rating, and filtering, which should substantially enhance how photos are organized with the app.

I haven’t spent much time with Photomator 3.4 yet, but the features it adds today will be familiar to anyone who has used other photo editors. The update adds the ability to flag and reject photos and apply a one- to five-star rating. Then, with filters based on flags, rejects, and star ratings, it’s easy to navigate among images to determine which to keep. The process is aided by extensive single-key shortcuts, too.

Source: Photomator.

Source: Photomator.

Photomator’s filtering options extend beyond flags, rejects, and stars. Other filtering options include whether an image is a RAW file or a favorite. You can filter based on a photo’s file name, date, and location, too. Flagged, rejected, and rated images are also gathered in special Utilities Collections, along with a new collection for imported photos. Photographs added from apps like Adobe Lightroom that store flags and ratings in metadata or XMP files are preserved when imported, too.

Flagging photos on the iPad.

Flagging photos on the iPad.

I haven’t tried the iOS or iPadOS versions of Photomator yet, but they share similar features, including the ability to flag and star images in the app’s browser UI. The iPhone and iPad versions support context menus for flagging and rating and batch application of flags and stars. The iOS and iPadOS versions of Photomator also include collections that assemble flagged and starred items in one place but don’t support the Mac version’s other filtering tools.

Photomator 3.4 is available as a free download on the App Store for existing customers. Some features require a subscription or lifetime purchase.


Video Production, Automation Hardware, Gaming, and More: My Desk Setup Update

Earlier today, we published an episode of AppStories covering the latest changes that Federico and I have made to our desk setups and other gear. I last updated my desk setup in July, before we started recording a video version of NPC: Next Portable Console. Since then, I’ve also started publishing bonus NPC videos and hardware reviews on the MacStories YouTube channel, which has driven the bulk of the changes in my setup.

On the hardware side, the changes include the addition of Elgato mounts, namely the Elgato Flex Arm and Solid Arm, along with a second Master Mount and Mini Key Light. I also purchased a Moment Multi Threaded Mount that lets me connect my iPhone 16 Pro Max to the Elgato Flex Arm using a strong MagSafe magnet for filming top-down shots. And I switched my podcast recording headphones to the Moondrop ARIA 2 In-Ear Headphones because the Shure model I used before didn’t stay in my ears.

Making the most of a small space..

Making the most of a small space..

The rest of my computing setup hasn’t changed much. I removed my M2 MacBook Air because the 11” M4 iPad Pro has replaced it for most of my lightweight portable needs. I’ve also added the Logitech MX Creative Console and Logitech POP Icon Keys keyboard. I’ve grown to like the Creative Console more than the Loupedeck Live for push-button automation, but for now, I still use both. I’m not entirely sure if I’ll stick with the POP Icon Keys keyboard because, as much as I like the automation that’s been baked into it, I prefer the feel of the Magic Keyboard, but I haven’t shelved it yet. I’ve also abandoned the Belkin BoostCharge Pro Wireless Charger because of a recent recall. Instead, I’ve switched to a Native Union Voyage Magnetic Wireless Charger that I’ve been testing and will review soon.

On the videogame side of things, I’ve gravitated to Anbernic devices, adding the Anbernic RG40XXV and Anbernic RG28XX to my setup. Along with the Anbernic RG35XXSP that was already on my list, I now have a nice range of retro handheld sizes and form factors. I have others as well, but these are my current go-to devices. I also added the Nintendo Switch Lite (Hyrule Edition) because I’m a sucker for anything Zelda and I wanted a smaller Switch for traveling.

The Mobapad M6 HD Joycons with my OLED Switch and the Switch Lite Hyrule Edition.

The Mobapad M6 HD Joycons with my OLED Switch and the Switch Lite Hyrule Edition.

I’ve tried to be good and stop buying controllers, but there have been some great ones released lately, so my list now includes the Mobapad M6 HD Joycons for my OLED Switch and the GameSir G8+. The G8+ is a lot like the GameSir G8 Galileo that it replaced except that it has Bluetooth and works with the iPhone, iPad mini, and Nintendo Switch; I love it.

Finally, I’ve made several changes to my app lineup. There are more Apple system apps on the list, which is usually the case after a long summer of testing macOS betas. Plus, there are several video recording and editing apps on the list now, including Final Cut Pro for the iPad and Mac, Final Cut Camera, a Stupid Raisins plugin for doing split-screen video, and Camo Studio.

That’s it for now. However, I’m already thinking about some fall and winter projects that will mean more changes to my setup, especially with respect to video production tools.


Austin Mann’s iPhone 16 Pro Camera Review

Unlike most reviewers who were given an iPhone to test, Austin Mann didn’t head home, he headed to Kenya. Mann, whose iPhone camera reviews we’ve covered many times in the past, took the new iPhone 16 Pro on safari (not the browser), photographing a variety of wildlife, landscapes, and people. The video Mann shot of the trip is stunning:

Both the video and Mann’s accompanying article and photographs do more than just showcase the kind of shots that are possible with the iPhone 16 Pro. They both go in-depth about the new features and what each means to photographers:

The iPhone 15 Pro had the same 13mm (.5x) ultra-wide lens, but the sensor was only 12 megapixels—just 25% of the resolution of the 24mm (1x) lens. Over the past year, especially while working with the iPhone 15 Pro, I often found myself torn. Sometimes I wanted the wider perspective, but I didn’t want to sacrifice resolution. I was thrilled when the new Ultra Wide was announced with 48 megapixels, and it certainly doesn’t disappoint.

An added bonus is that the iPhone’s Macro mode also uses the Ultra Wide camera, meaning Macro shots are now 48 megapixels as well. The detail is remarkable, and the iPhone 16 Pro might just be my new favorite camera for macro photography.

Mann likes the Camera Control button for quick access to the Camera app, too, but found that in circumstances like shooting from a helicopter, it could be hard to operate.

The video and post are both worth spending time with. You’ll learn what the new cameras in the Pro iPhones can do and perhaps be inspired to go out and try the new features yourself.

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Apple’s Definition of a “Photo”

One of my favorite parts from Nilay Patel’s review of the iPhone 16 Pro at The Verge was the answer he got from Apple’s VP of camera software engineering Jon McCormack about the company’s definition of a “photograph”:

Here’s our view of what a photograph is. The way we like to think of it is that it’s a personal celebration of something that really, actually happened.

Whether that’s a simple thing like a fancy cup of coffee that’s got some cool design on it, all the way through to my kid’s first steps, or my parents’ last breath, It’s something that really happened. It’s something that is a marker in my life, and it’s something that deserves to be celebrated.

“Something that really, actually happened” is a great baseline compared to Samsung’s nihilistic definition (nothing is real) and Google’s relativistic one (everyone has their own memories). As Jaron Schneider wrote at PetaPixel:

If you have no problem with generative AI, then what Google and Samsung said probably doesn’t bother you. However, many photographers are concerned about how AI will alter their jobs. From that perspective, those folks should be cheering on Apple for this stance. Right now, it’s the only major smartphone manufacturer that has gone on the record to steer photography away from the imagined and back to reality.

I like Apple’s realistic definition of what a photo is – right now, I feel like it comes from a place of respect and trust. But I have to wonder how malleable that definition will retroactively become to make room for Clean Up and future generative features of Apple Intelligence.

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