Posts tagged with "photography"

Pixelmator Pro Updated with Machine Learning Auto Enhancement, Light and Dark Modes, and Automator Actions

Pixelmator Pro for the Mac was updated to version 1.2 today with a handful of enhancements centered around macOS Mojave.

The update includes light and dark modes, which can be set in Preferences to follow the mode picked in System Preferences or full-time light or dark mode. Dark mode closely resembles Pixelmator Pro’s existing UI, but its light mode is brand-new.

Pixelmator Pro's new light mode.

Pixelmator Pro’s new light mode.

Pixelmator Pro 1.2 has also added a new auto-enhance feature for images that applies machine learning to automatically adjust white balance, exposure, hue and saturation, lightness, color balance, and selective color. Previously auto-enhancement was available individually for some of the categories in Pixelmator’s Adjust Colors tab. The new ML Enhance feature, which the Pixelmator team says was trained with millions of professional photos, adjusts all of the categories listed above at once. If you don’t like the results, the adjustments can be turned off on a per category basis or adjusted manually.

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BestPhotos Offers Streamlined Photo Management

BestPhotos, a photo management app from Chicago-based Windy Software that we’ve covered on Club MacStories before, was updated today with new features for quickly and efficiently organizing your photos. I take thousands of pictures each year and sometimes it feels like I take even more screenshots. Sifting through to find the best shots and discard old screenshots, duplicates, and just plain bad photos takes a lot of tapping and time in Apple’s Photos app. BestPhotos is a better solution that streamlines the whole process.

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Adobe Unveils Photoshop for iPad, Launching in 2019

Earlier this year Adobe confirmed that it was working on a full-featured version of Photoshop for the iPad, but no real details on the product were given. Today that changed, however, as the app’s official announcement arrived alongside the kickoff of Adobe’s MAX conference.

Photoshop for iPad won’t arrive until some time in 2019, but when it does launch it will differ drastically from Adobe’s current lineup of Photoshop-related iOS apps. Rather than focusing on an individual subset of desktop features, like Adobe’s existing Photoshop Fix, Express, and Mix do, the aim with this forthcoming app is to provide the full desktop Photoshop experience on an iPad.

As part of its iPad efforts, Adobe has brought the same underlying codebase of Photoshop for desktop to iOS, and it has also worked to modernize PSD files for the cloud. These new Cloud PSDs will be the default file format on the new iPad app, offering a seamless file experience across multiple devices. Adobe’s chief product officer, Scott Belsky, told The Verge:

“Cloud PSDs, when we ship Photoshop on the iPad, will also run and automatically show up on your desktop…Suddenly, you’ll have this cloud-powered roundtrip experience akin to a Google Docs experience, where literally the source of truth of your Photoshop creation is in the cloud.”

Cloud PSDs will eliminate the need for importing or exporting files, removing a major friction point that currently stands in the way of working with Adobe’s apps on the iPad. With Creative Cloud’s automatic syncing of all files, you should be able to pick up editing on any device at any time without needing to do a thing.

When manual importing or exporting does make sense to your workflow, those options will still be available in Photoshop for iPad. The app will support file providers like iCloud Drive, Dropbox, and more. Based on the preview version of the app, it appears to support Files.app’s document providers, and I’m hopeful that iOS 11’s drag and drop features will be supported as another option for importing and exporting.

The Verge was granted a week of hands-on time with Photoshop for iPad, and has a great video that demonstrates the app in action. It appears very similar to Photoshop on desktop, with some adaptations made for OS differences like iOS’s lack of a menu bar. There are sure to be touch-optimized improvements offered too though, such as a gesture the video highlights where you can tap with two fingers on the screen to undo.

Though Adobe’s goal is full feature parity between desktop and iPad versions of Photoshop, the 1.0 release of Photoshop on iPad will lack certain features that will be added over time with future updates. That full list of missing features is unavailable at this time, but we’re sure to learn more as the launch approaches.

Photoshop for iPad will be available free to all Creative Cloud subscribers, but there’s no word currently on whether a standalone purchase or iPad-only subscription will be possible. It would be a strong vote of confidence in iPad-first users to make the app available for non-CC subscribers, but based on Adobe’s history that appears unlikely.

Today’s announcement highlights what an exciting time it is to be an iPad user. With new iPad Pro models expected to be announced in the coming weeks, and a reported focus on significant iPad features coming in iOS 13, there’s no time like the present for the full power of Photoshop to make its way to Apple’s tablet.

The iPhone XS’ Camera and Neural Engine→

Apple describes the XS as sporting “dual 12MP wide-angle and telephoto cameras”. This will be obvious to most of you, but in case it’s not, they’re not just dual rear-facing lenses, they’re dual rear-facing cameras. The wide-angle and telephoto lenses each have their own sensors. As a user you don’t have to know this, and should never notice it. The iPhone XS telephoto camera is the same as in the iPhone X — same lens, same sensor.

But the iPhone XS wide-angle camera has a new lens, which I believe to be superior to last year’s, and an amazing new sensor which is remarkably better than last year’s. And last year’s was very good.

Anytime an iPhone review gets too technical about camera details and photography lexicon, I tend to gloss over it and move on. I’m not a camera expert and I usually don’t care about the nitty-gritty. But John Gruber’s analysis of the iPhone XS’ camera stack, A12 SoC, and seemingly unadvertised improved sensor is one of the most interesting camera-focused iPhone reviews I’ve read in years. I don’t want to spoil it – move past the photos at the beginning and keep reading.

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The History of Aperture

For years, iLife defined the Mac experience, or at the very least, its marketing. An iMac or MacBook wasn’t a mere computer; it was a tool for enjoying your music, managing your photos, creating your own songs, editing your home videos, and more.

iLife was brilliant because it was approachable. Programs like iTunes, iPhoto, iMovie, iDVD, and GarageBand were so simple that anyone could just open them from the Dock and get started creating.1

Of course, not everyone’s needs were met by the iLife applications. iMovie users could upgrade to Final Cut, while Logic was there waiting for GarageBand users. And for those needing more than what iPhoto could provide, Apple offered Aperture.

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Spect: Simple Image Management on the Mac

Spect from Steven Frank is based on a single, straightforward idea: separating image navigation from the Mac’s folder hierarchy. Point the app at a folder and tell it how deep to peer into subfolders and the app quickly generates thumbnails of the images to that depth of the folder structure. If you’ve ever found yourself drilling down into folders and subfolders only to have to back out and follow another path, you’ll understand the power of Spect immediately. The app saves users from a tremendous amount of clicking around.

Just like the Finder, your image thumbnails can be resized with a slider in the lower righthand corner of the window. In the bottom lefthand corner is where you specify how deep Spect should look into your folders.

Highlight an image and hit the space bar to toggle preview mode, which fills the window with the selected image. In preview mode, there are navigation arrows in the lower lefthand corner of the window so you can advance through your images one at a time.

Previewing an image in Spect.

Previewing an image in Spect.

Spect can display a wide variety of image formats including JPG, PNG, HEIC, RAW, GIF, and PDF. It’s worth noting, however, that Spect is not a replacement for a PDF document viewer. The app is designed for images and can only display the first page of a document-based PDF.

The toolbar at the top of the window has buttons for moving images to the Trash and revealing them in the Finder that are excellent for basic organization. There are also Slideshow and Shuffle buttons in the toolbar, which are a handy way to create a quick slideshow of images from several folders at once. By default, images change every four seconds, but that can be adjusted in the app’s Preferences.

One preference I’d like to see added to Spect is a way to limit which types of image files are displayed in the app. For example, I’d like the option to exclude PDF files, which in my case, are usually documents that I don’t want to see when I’m browsing photos and screenshots. Spect includes drag and drop support for moving images from Spect to different Finder folders, but it would also be handy to be able to create new folders from inside Spect and move photos into them without switching to the Finder at all.

Spect isn’t designed to replace a photo management tool like Adobe Lightroom. Instead, its power lies in its simplicity and the speed with which you can triage a collection of images without getting lost in a complex folder structure. In the two days I’ve been using it, Spect has already helped me understand what images I have and organize them better. For example, I located Apple press photos scattered throughout multiple folders and consolidated them into one folder. I also quickly scanned and retrieved images I wanted to save from my Downloads folder and deleted the rest. If you work with images on a Mac, Spect is a utility you should definitely check out.

Spect is available on the Mac App Store for $4.99.

iOS 12 Brings Improved Support for Camera Import, RAW Photos→

Speaking of smaller features I wouldn’t have expected to see at last week’s WWDC, Bryan Gaz, writing for Digital Photography Review, has noticed some welcome improvements to camera import and RAW files in iOS 12:

Now, when you plug in Apple’s SD card to Lightning adapter (or camera connection kit), the Photos app will show up as an overlay on whatever app you’re using. This comes as a much less invasive method than previously used in iOS 11, wherein whatever app you were in would be switched over to the full-screen Photos app for importing. It also means you can multitask more efficiently, importing photos while getting other stuff done.
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Now, when photos are detected on a card, iOS 12 will automatically sort through the content and determine if any of the photos have already been imported. If they have, they will be put in a separate area so you don’t accidentally import duplicates. Another new feature is a counter on the top of the screen that lasts you know how many photos are being displayed and how much space they take up on the memory card. This should help alleviate the guesswork involved when trying to determine whether or not you have enough storage on your iOS device.

I’ve never imported photos on my iPad using the Lightning to SD Card Camera Reader because I don’t have a camera, but I know that the import process is one of the pain points for photographers who want to use an iPad in their workflows. The idea of having Photos show up automatically in Slide Over upon connecting an external device is interesting; it perfectly ties into the iPad’s focus on drag and drop for multitasking and file transfers. It seems like this approach would work nicely for importing files from external USB devices if only Apple decided to add support for those too.

Update: After looking into this more closely, it appears that Photos only appears automatically upon connecting an SD card if it’s already in Slide Over mode. This isn’t as convenient as DP Review’s original report, but at least all the other improvements mentioned in the story are indeed part of iOS 12.

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Retrobatch from Flying Meat Brings Nodal Batch Processing of Images to the Mac

Retrobatch is a new batch photo processing app for the Mac from Flying Meat, the maker of Acorn. Batch processing of photos isn’t new. There are plenty of apps available that let you manipulate collections of photos. What’s different about Retrobatch is how it goes about processing images.

If you’ve ever used Audio Hijack from Rogue Amoeba, you’ll understand the power of Retrobatch immediately. The app is based on the idea of linking individual nodes together to create complex workflows. Point your new workflow at a batch of images, hit go, and Retrobatch goes about its work, delivering your processed photos to wherever you specify. The power is in abstracting complex actions into simple building blocks that can be strung together and branched as though you were building a flowchart.

That last point is the essential distinction between Retrobatch and other batch processors. Most image processors are linear, moving through a series of steps that outputs modified images. Retrobatch’s nodal structure allows you to start with a folder of images, perform actions on them, and then branch off to different actions at any point in the process.

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Obscura 2 Review: An Approachable Manual Camera App with Tasteful Filters

I enjoy taking lots of photos. Over the years, I’ve dabbled with DSLRs, but more often than not these days, I use my iPhone because it’s always nearby.

I’ve historically used Apple’s built-in Camera app. It has the advantage of being available from the Lock screen, which is a big plus because it lowers the barrier to getting up and running with the camera. Later, I would go back and pick out the best shots, edit them a little in the Photos app, and share a few.

Over the past couple of weeks though, I’ve been moving between Apple’s Camera app and Obscura 2, which was released today by developer Ben McCarthy. I’ve used manual camera apps in the past, but always wound up going back to Apple’s option in the end.

Obscura has been different. I’ve found myself going back to it repeatedly because I enjoy the way it approaches taking pictures and editing them so much. I don’t expect I’ll stop using Apple’s Camera app altogether; it’s just too convenient. However, when I leave the house with the intention of finding something interesting to photograph this summer, I’m going to use Obscura.

One of the things I like most about photography is that it’s a creative outlet that’s just for me. Sure, I share some of the pictures I take, but it’s entirely for fun.

One of the issues I’ve always had with pro camera apps is that many take the fun out of photography for me. They have intimidating UIs that throw lots of photography jargon and controls at you in a way that sends me looking for a manual. It feels too much like work.

Obscura doesn’t dispense with camera-speak entirely, but it succeeds by presenting the complexities of manual camera features in a simple, thoughtful UI. Instead of sending me looking for support pages, I found myself experimenting with Obscura’s controls, learning what each does by doing, which has been an enjoyable, organic process.

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