Pixelmator Photo for the iPad has been released with a trio of new features that greatly increase the power of the app. With the update, you can now now edit images in your iCloud Photo Library non-destructively without creating duplicates. There are also new batch-processing workflows and better options for exporting images. It’s an interesting mix of updates that I expect will appeal to a wide audience even though there remain iPadOS features I’d like to see adopted in the future.
Posts tagged with "photography"
Pixelmator Photo Adds Direct iCloud Photo Library Access, Batch Editing, and New Export Features
Halide 1.14 Adds New Lens Switching Interface and Guides
Halide 1.14 is out with a new lens switching UI to accommodate the three-camera system of the iPhone 11 Pro and Pro Max. As soon as the update was out, I went for a walk to give it a try.
Halide has introduced a new lens switching button featuring haptic feedback and a dial-like system for moving among the iPhone’s lenses. When you press down on the lens button, you get a tap of haptic feedback to let you know without looking that the lens picker has been engaged.
From there, you can slide your finger among the ultra wide, wide, and telephoto options that radiate out from the button. As you swipe your finger across each option, it enlarges, and you’re met with another little bit of haptic feedback as you swipe over the lenses other than the one already selected. Once you have the lens you want, you simply let go and your iPhone switches to it.
You can also cycle through the lenses in order by tapping the button repeatedly or swipe left for the ultra wide lens or up for the telephoto one. In my brief tests, swiping left or up is the best option if you already know the lens you want, but using the dial-like lens switcher is perfect for considering your options first because Halide has also added lens preview guides.
With the lens button engaged, Halide shows guides for each of your zoom options. That means if you’re using the ultra-wide lens, you’ll see the light gray guidelines for the wide and telephoto lenses. As you swipe over those lenses, the guides change to yellow to highlight the composition you’ll get if you switch to that lens.
If you’re already using the telephoto lens though, Halide will highlight the outer frame of the image to suggest you’ll get a wider shot, though it does not zoom the viewfinder out to show that composition until you lift your finger. You can see how the lens guides work from the screenshots I took at a local high school football field above and in this video:
Switching lenses in Halide.Replay
When you switch to the ultra wide lens, you’ll notice that not all the usual Halide features are available. Manual focus is missing and so is shooting in RAW. That’s because the new iPhone hardware and iOS and iPadOS 13 don’t support those features. Although the ultra wide shots don’t support RAW, Halide has included a ‘MAX’ option in place of the ‘RAW’ option, so you can get the most image data possible from your wide shots, which you can see in the screenshots below.
Ultra wide images are limited to MAX quality (left) instead of RAW, which is supported by the wide and telephoto lenses (right).
The Halide team says that the latest update also includes noise-reduction adjustments to the RAW images produced by the iPhone 11, but that they are continuing to fine-tune how that app handles RAW photos from the new phones as part of a more significant update that is coming next.
The latest update is relatively small, but I especially like the use of haptic feedback and lens guides, which make it easy to switch lenses when you’re focused on the viewfinder of the camera instead of Halide’s buttons.
Austin Mann on the iPhone 11 and 11 Pro Cameras→
Every year I look forward to Austin Mann taking the latest iPhones through their paces somewhere in the world. This year, Mann is on tour with cellist Yo-Yo Ma in China where he went out into the countryside to capture some stunning portraits and landscapes.
Mann’s review covers the new Ultra Wide lens, Night Mode, Smart HDR improvements, and ability to capture outside the frame, along with wishes for additional improvements. Mann’s take on Night Mode:
As long as I can remember, the top question I’ve received from iPhone photographers, beginners and pros alike, is How can I shoot better pictures in low light? This year’s addition of Night mode is the answer to the question. It’s easy to use, crazy powerful, and because it’s automatic it will completely change how everyone shoots on their iPhone.
Mann confirms what seemed to be the case from the photos that Apple showed off last week at its event in Cupertino – Apple has implemented Night Mode in a way that doesn’t try to turn night into day:
One thing I love about Apple’s approach to Night mode is the strategic balance of solving a technical problem while also caring deeply about artistic expression. When you look at the image above, it’s clear their team didn’t take the let’s-make-night-look-like-day approach, as some of their competitors have. Instead, it feels more like an embrace of what it actually is (night) while asking, “How do we capture the feel of this scene in a beautiful way?”
How Apple accomplishes Night Mode is interesting. As Mann explains:
From what I understand, the way Night mode actually works is the camera captures a bunch of short exposures and slightly longer exposures, checks them for sharpness, throws out the bad ones and blends the good ones. On a traditional dSLR/mirrorless camera, a 5 second exposure is one single, continuous recording of the light throughout the duration of the shutter so any movement (of subject or camera) is recorded.
But with iPhone 11 Pro the rules are different… it’s not capturing one single continuous frame but blending a whole bunch of shots with variable lengths (some shorter exposures to freeze motion and longer shots to expose the shadows.) This means the subject can actually move during your exposure but still remain sharp.
If you’ve been wondering about the new Ultra Wide camera on the new iPhones or the other new features of the camera app, be sure to check out Austin Mann’s full review for great technical and artistic insights about what Apple has accomplished with its new cameras as well as some absolutely fantastic examples of what they can do.
Apple ASMR: A Shot on iPhone Series Shot and Recorded on iPhones
Apple’s Shot on iPhone series has highlighted photos and video taken with iPhones for several years now. Today, the company published a new series of four videos titled ‘Apple AMSR’ that were shot on the iPhone XS and XS Max. The videos, which the company suggests watching with headphones for the full auditory experience, are longer than ones produced in the past ranging from about 6 to over 10 minutes long. Each video features a different sound: rain at a campground, the crunching sound of someone walking on a hiking trail, the scraping of wood in a woodworking shop, and whispering in the Neskowin Ghost Forest in Oregon.
These videos are some of the strangest that Apple has published on YouTube, but they certainly do a good job of showcasing the iPhone’s ability to shoot video and record sound. There may be more coming too based on the fact they’re collected as a playlist on Apple’s YouTube channel that is labeled ‘Season 1.’ You can check all of them out below:
Pixelmator Pro for Mac Adds an Apple Photos Extension, New Zoom Tools, and Other Features
Pixelmator Pro released a significant update today that integrates the Mac app with Apple’s Photos app using a full-featured extension, adds enhanced zoom functionality, new cropping options, and more.
Pixelmator Pro is one of my favorite image editors on the Mac, but until today, I typically edited images in it that I pulled from an SD card or exported from Photos. That’s no longer necessary because Pixelmator Pro has been updated with a Photos extension that lets you use all of the app’s tools directly within Photos.
Photos extensions allow third-party developers to integrate their apps with Photos. Few of the photo editing apps I’ve used work with Photos though, which is a shame because Pixelmator Pro shows how much can be done with a Photos extension.
Pixelmator Photo: The MacStories Review
The Pixelmator team has released Pixelmator Photo, a pro-level photo editing tool that couples the core functionality of Pixelmator Pro for the Mac with the strengths of the iPad. The result, though not without a few caveats, is a sophisticated set of image editing tools wrapped in a straightforward UI that, with its support for RAW and other image formats, makes Pixelmator Photo my new favorite photo editor.
Spectre: A Computational Approach to Long-Exposure iPhone Photography
Spectre is a new specialized camera app from the team that created Halide, one of our favorite camera apps on iOS. The Halide team describes Spectre as a computational shutter for the iPhone, which allows the app to do things like remove people from a crowded scene, create artistic images of rushing water, and produce light trails at night. The same sort of images can be created using traditional cameras, but getting the exposure right, holding the camera absolutely still, and accounting for other factors make them difficult to get right. With Spectre, artificial intelligence is used to simplify the process and make long-exposure photography accessible to anyone with an iPhone.
Obscura Updated with Histogram Support and a New Image Viewer
Obscura 2.0 was one of our favorite iOS app updates of 2018, which garnered it a MacStories Selects Best App Update Runner-Up award. Since it was released eight months ago, developer Ben McCarthy has continued to refine the app and add new features such as iPad support, new editing controls, localizations, and a Photos extension. With the latest update out today, Obscura has added a histogram visualizer, a redesigned image viewer, iPad keyboard shortcuts, and more.
Apple Announces ‘Shot on iPhone’ Photography Challenge
For longer than I can remember now, Apple has plucked photos taken by iPhone users from the vast sea of images posted online and featured them on billboards, in print advertising, and online. Today, the company announced that through February 7th, it’s running a Shot on iPhone Challenge. Apple says that:
A panel of judges will review worldwide submissions and select 10 winning photos, to be announced in February. The winning photos will be featured on billboards in select cities, Apple retail stores and online.
Apple’s announcement also introduces the contest’s 11 judges, 6 of whom are from Apple and 5 of whom are outsiders with backgrounds in photography. The Apple team includes Phil Schiller, members of his marketing team, and others who work on Apple’s photo software. The rest of the judges include former White House photographer Pete Souza, travel photographer Austin Mann, who we recently interviewed for Club MacStories, Annet de Graaf, a travel photographer and author of iPhone photography books, Luisa Dörr who shot TIME magazine’s special Firsts issue entirely on an iPhone, and Chen Man, a visual artist and creator of photography-based social apps.
If you’d like to submit your iPhone photos, here’s what to do:
Post your best photo taken on iPhone to Instagram or Twitter with the #ShotOniPhone hashtag to participate in the the Shot on iPhone Challenge. Weibo users can participate as well using #ShotOniPhone#. In the image caption, note which model was used. Alternatively, you can also submit the photo in its highest resolution to [email protected] with the file format ‘firstname_lastname_iphonemodel.’ Photos can be straight from the camera, edited through Apple’s editing tools in the Photos app or with third-party software. Submissions for photos begins at 12:01 a.m. PST on January 22 and ends at 11:59 p.m. PST on February 7. You must be 18 years of age or older to participate, and this challenge is not open to Apple employees or their immediate families.
I’ve always enjoyed Apple’s Shot on iPhone ad campaigns. It will be fun to see which shots its judges pick from what I can only imagine will be a huge number of submissions.