Posts tagged with "photography"

Austin Mann on the iPhone 11 and 11 Pro Cameras→

Source: austinmann.com

Source: austinmann.com

Every year I look forward to Austin Mann taking the latest iPhones through their paces somewhere in the world. This year, Mann is on tour with cellist Yo-Yo Ma in China where he went out into the countryside to capture some stunning portraits and landscapes.

Mann’s review covers the new Ultra Wide lens, Night Mode, Smart HDR improvements, and ability to capture outside the frame, along with wishes for additional improvements. Mann’s take on Night Mode:

As long as I can remember, the top question I’ve received from iPhone photographers, beginners and pros alike, is How can I shoot better pictures in low light? This year’s addition of Night mode is the answer to the question. It’s easy to use, crazy powerful, and because it’s automatic it will completely change how everyone shoots on their iPhone.

Mann confirms what seemed to be the case from the photos that Apple showed off last week at its event in Cupertino – Apple has implemented Night Mode in a way that doesn’t try to turn night into day:

One thing I love about Apple’s approach to Night mode is the strategic balance of solving a technical problem while also caring deeply about artistic expression. When you look at the image above, it’s clear their team didn’t take the let’s-make-night-look-like-day approach, as some of their competitors have. Instead, it feels more like an embrace of what it actually is (night) while asking, “How do we capture the feel of this scene in a beautiful way?”

How Apple accomplishes Night Mode is interesting. As Mann explains:

From what I understand, the way Night mode actually works is the camera captures a bunch of short exposures and slightly longer exposures, checks them for sharpness, throws out the bad ones and blends the good ones. On a traditional dSLR/mirrorless camera, a 5 second exposure is one single, continuous recording of the light throughout the duration of the shutter so any movement (of subject or camera) is recorded.

But with iPhone 11 Pro the rules are different… it’s not capturing one single continuous frame but blending a whole bunch of shots with variable lengths (some shorter exposures to freeze motion and longer shots to expose the shadows.) This means the subject can actually move during your exposure but still remain sharp.

If you’ve been wondering about the new Ultra Wide camera on the new iPhones or the other new features of the camera app, be sure to check out Austin Mann’s full review for great technical and artistic insights about what Apple has accomplished with its new cameras as well as some absolutely fantastic examples of what they can do.

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Apple ASMR: A Shot on iPhone Series Shot and Recorded on iPhones

Apple’s Shot on iPhone series has highlighted photos and video taken with iPhones for several years now. Today, the company published a new series of four videos titled ‘Apple AMSR’ that were shot on the iPhone XS and XS Max. The videos, which the company suggests watching with headphones for the full auditory experience, are longer than ones produced in the past ranging from about 6 to over 10 minutes long. Each video features a different sound: rain at a campground, the crunching sound of someone walking on a hiking trail, the scraping of wood in a woodworking shop, and whispering in the Neskowin Ghost Forest in Oregon.

These videos are some of the strangest that Apple has published on YouTube, but they certainly do a good job of showcasing the iPhone’s ability to shoot video and record sound. There may be more coming too based on the fact they’re collected as a playlist on Apple’s YouTube channel that is labeled ‘Season 1.’ You can check all of them out below:

Pixelmator Pro for Mac Adds an Apple Photos Extension, New Zoom Tools, and Other Features

Pixelmator Pro released a significant update today that integrates the Mac app with Apple’s Photos app using a full-featured extension, adds enhanced zoom functionality, new cropping options, and more.

Pixelmator Pro is one of my favorite image editors on the Mac, but until today, I typically edited images in it that I pulled from an SD card or exported from Photos. That’s no longer necessary because Pixelmator Pro has been updated with a Photos extension that lets you use all of the app’s tools directly within Photos.

Photos extensions allow third-party developers to integrate their apps with Photos. Few of the photo editing apps I’ve used work with Photos though, which is a shame because Pixelmator Pro shows how much can be done with a Photos extension.

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Spectre: A Computational Approach to Long-Exposure iPhone Photography

Spectre is a new specialized camera app from the team that created Halide, one of our favorite camera apps on iOS. The Halide team describes Spectre as a computational shutter for the iPhone, which allows the app to do things like remove people from a crowded scene, create artistic images of rushing water, and produce light trails at night. The same sort of images can be created using traditional cameras, but getting the exposure right, holding the camera absolutely still, and accounting for other factors make them difficult to get right. With Spectre, artificial intelligence is used to simplify the process and make long-exposure photography accessible to anyone with an iPhone.

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Obscura Updated with Histogram Support and a New Image Viewer

Obscura 2.0 was one of our favorite iOS app updates of 2018, which garnered it a MacStories Selects Best App Update Runner-Up award. Since it was released eight months ago, developer Ben McCarthy has continued to refine the app and add new features such as iPad support, new editing controls, localizations, and a Photos extension. With the latest update out today, Obscura has added a histogram visualizer, a redesigned image viewer, iPad keyboard shortcuts, and more.

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Apple Announces ‘Shot on iPhone’ Photography Challenge

For longer than I can remember now, Apple has plucked photos taken by iPhone users from the vast sea of images posted online and featured them on billboards, in print advertising, and online. Today, the company announced that through February 7th, it’s running a Shot on iPhone Challenge. Apple says that:

A panel of judges will review worldwide submissions and select 10 winning photos, to be announced in February. The winning photos will be featured on billboards in select cities, Apple retail stores and online.

Apple’s announcement also introduces the contest’s 11 judges, 6 of whom are from Apple and 5 of whom are outsiders with backgrounds in photography. The Apple team includes Phil Schiller, members of his marketing team, and others who work on Apple’s photo software. The rest of the judges include former White House photographer Pete Souza, travel photographer Austin Mann, who we recently interviewed for Club MacStories, Annet de Graaf, a travel photographer and author of iPhone photography books, Luisa Dörr who shot TIME magazine’s special Firsts issue entirely on an iPhone, and Chen Man, a visual artist and creator of photography-based social apps.

If you’d like to submit your iPhone photos, here’s what to do:

Post your best photo taken on iPhone to Instagram or Twitter with the #ShotOniPhone hashtag to participate in the the Shot on iPhone Challenge. Weibo users can participate as well using #ShotOniPhone#. In the image caption, note which model was used. Alternatively, you can also submit the photo in its highest resolution to [email protected] with the file format ‘firstname_lastname_iphonemodel.’ Photos can be straight from the camera, edited through Apple’s editing tools in the Photos app or with third-party software. Submissions for photos begins at 12:01 a.m. PST on January 22 and ends at 11:59 p.m. PST on February 7. You must be 18 years of age or older to participate, and this challenge is not open to Apple employees or their immediate families.

I’ve always enjoyed Apple’s Shot on iPhone ad campaigns. It will be fun to see which shots its judges pick from what I can only imagine will be a huge number of submissions.

Darkroom 4.0: The MacStories Review

With version 4.0 released today, Darkroom has emerged as a photo editing force to be reckoned with on iOS. The highlight of the release is a brand-new iPad app, which is the version I’ll focus on in this review. I ran into a couple of bugs and would like to see Darkroom push its photo management and a few other tools even further in the future. However, the app’s combination of thoughtful design and platform-aware functionality together enable Darkroom to scale its full suite of tools gracefully from iPhone to iPad, which makes it an excellent choice for mobile photo editing.

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Austin Mann: A Photographer’s Review of the iPad Pro→

Source: austinmann.com

Source: austinmann.com

Austin Mann has published a review of the new iPad Pro for photographers. Mann, a professional photographer, is in Iceland shooting 100-megapixel images with a Hasselblad H6D-100c that generates 216MB RAW files that are a great test of Apple’s new hardware. Mann demonstrates how well the iPad Pro handles those images by zooming in and out and panning around with little lag in a video demo of Adobe Lightroom CC.

Beyond the sheer performance of the hardware though, Mann has been impressed with the versatility and portability of the device. As he explains:

I was working with Mavic Pro 2 in the black volcanic deserts of south Iceland. While sitting in the car (in the middle of the desert, in the middle of nowhere), I decided to offload my images and review them.

I pulled out the iPad Pro and a card reader, and within only a few moments I was reviewing them on screen. Next thing I knew I was editing them with the Pencil in Lightroom CC and then I shared one with my wife—all within just a few moments.

It’s really easy to sit just about anywhere (even with a steering wheel in your face) and not just use it, but use it to its full extent. Another cool feature in this scenario is eSIM. Because the iPad Pro is connected to cellular, even in the middle of nowhere Iceland, I could quickly share the images without even thinking about my connection, WiFi, hotspots, etc. Time wasn’t mission critical on this shoot, but in a scenario where time is of the essence, this kind of workflow could be a game-changer.

That’s a sort of power the iPad Pro brings to bear that can’t be measured in chip speeds or other specs. It’s a flexibility that allows photographers and other creative professionals to work in more contexts and with greater efficiency. It’s hard to quantify but just as important.

Be sure to check out Mann’s review for more on his iPad Pro photography workflow and his beautiful photos of Iceland.

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