It’s a terrific video about a different time when simple devices like the Flip Video were everywhere, taking low-quality video. What made the Flip and, later, the Nano’s video camera great wasn’t the quality of what you could shoot with them. Instead, it was the convenience. With the tap of a button, you were up and recording instantly. As Farsace explains, there are a lot of limitations to the iPod Nano’s video camera, but in hindsight, it also holds a certain charm.
The video reminds me of the days before I had an iPhone and used a first-gen iPod Touch to take photos. The camera was lousy by today’s standards, but despite its limitations, I was able to take pictures that I enjoy to this day. I appreciate how easy it is to get a usable photo with my iPhone 16 Pro Max today, but I also sort of miss the effort required with the iPod Touch. I don’t miss the inefficiency of the Touch, but the constraints made me a better photographer by forcing me to pay more attention to lighting, framing, and other things. That’s why I’m not surprised at all that Halide’sProcess Zero was an immediate hit.
Insta360 has had a busy week. Earlier this spring, the company released the X4, an advanced 360º action camera, which became available at Apple.com for the first time last week. Then this week, the company released the Insta360 Flow Pro, an AI-powered gimbal for smartphones, including the iPhone. I haven’t had a chance to try either gadget yet, but both caught my eye for different reasons.
First, the Insta360 reminds me of the company’s One X2 that I reviewed a few years ago. As action cameras go, that was a great little device that took excellent video and photos for something so compact.
Source: Insta360.
Three years later, the Insta360 X4 goes much further. The candy bar-shaped camera is capable of 8K video at 30 fps and has a 2290mAh battery that Insta360 says lasts for 135 minutes, which is impressive if it bears out in real-world use. The bundle being sold on Apple.com, includes the camera, a lens cover, a carrying case, a 256GB microSD card, a USB-C cable, and the company’s Invisible Selfie Stick accessory. That last item is key because, through the magic of software, it can be removed from any scene you shoot, creating a third-person perspective without needing someone else to operate the camera.
The X4 also features a 2.5” screen that is protected by Corning Gorilla Glass. Plus, it can take 360º photos, capture different cinematic styles of video like slow motion, and be controlled with voice and hand gestures, making it an intriguing choice for solo creators. The X4 is also available on Amazon.
The Insta360 Flow Pro. Source: Insta360.
Smartphone gimbals have come a long way too. I tried a DJI Osmo 2 gimbal years ago, but it was bulky and difficult to calibrate accurately. Insta360’s new Flow Pro looks like it solves a lot of those friction points. The gimbal, which will stabilize video taken with an iPhone or other smartphone using AI, folds up, saving room in your bag. It also doubles as a tripod with a flip-out base that allows you to set it up to film yourself or others nearby tracking you to keep you framed in the scene. For iPhone users, the Flow Pro uses DockKit, the API introduced by Apple in 2023, that coordinates shots with the gimbal stabilizing them and keeping you in the frame. The only other iPhone accessory that I’m aware of that does this is the Belkin Auto-Tracking Stand Pro with DockKit, which is a tabletop or desktop device, not a gimbal. The Flow Pro, which is available on Insta360s’ website, also offers a fast, integrated pairing process for iPhone users.
It’s summer, which means I and a lot of others will be traveling, and both of these devices strike me as compelling travel companions. The X4 offers high-resolution video, 360º images, and a plethora of cool software tricks for creating unique videos. Meanwhile, the Flow Pro is the kind of accessory that allows you to take the camera you always have with you and use it in new and creative ways, extending its utility. I’m hoping to get a chance to test one or both devices later this summer and will report back.
I’ve been playing around with Kino, a video camera app by Lux, on and off for the past day. That’s not long enough to do a full review, so instead, I got up this morning and headed out for a walk with Kino in tow to see what the default experience is like. The short answer is it’s excellent. Kino is designed to work well out of the box for a novice like me but offers manual controls for someone who needs less hand-holding. It’s similar to Lux’s approach to Halide, the company’s pro camera app, and my early experience with Kino has been just as good as it’s been with Halide.
Kino and Halide share a similar design aesthetic, so if you’ve ever tried Halide, you’ll have no trouble finding your way around Kino’s UI. There’s a record button at the bottom of the screen flanked by a button to access the video you’ve taken, which can be stored in your photo library or in the Files app, and a button for the app’s Instant Grade feature. At the top of the screen are controls for resolution, frame rate, and format presets, as well as a ‘Custom’ option. The top of the screen is where you’ll also see your audio levels and a button for switching between automatic and manual exposure. Just beneath the viewfinder are controls for toggling auto and manual focus, picking your camera lens, and a button for accessing additional controls and the app’s settings.
Like Halide, Kino also comes with a set of guides to get you started, which I haven’t tried yet because they weren’t available in the beta version of the app. However, if they’re anything like Halide’s guides, I expect they’ll be worth checking out if you’re new to shooting video and want to get the most out of Kino.
Some of Kino’s built-in color presets.
The app shoots beautiful video by default. Here’s an example of a short walk through Davidson College’s campus using all default settings, the iPhone 15 Pro Max’s Ultra Wide lens, and no post-processing.
The marquee feature of Kino is its Instant Grade. The app also comes with a collection of built-in color presets that you can preview in the viewfinder, making it easy to find one that fits your needs. The collection that comes with Kino has been created by video experts, including Stu Maschwitz, Sandwich Video, Evan Schneider, Tyler Stalman, and Kevin Ong. But you’re not limited to the presets that come with Kino. You can also import any LUT using the app’s integration with the Files app.
I visited a nearby lake and shot some video with Kino’s default settings enabled, and then tried each of its color presets:
The app also implements something Lux calls AutoMotion, which applies an exposure logic that gives video a cinematic feel. It’s another feature that just works out of the box for novices who don’t want to dig deeper. However, you always have the option to vary from the defaults, adjusting settings manually.
My first-run experience with Kino was great. I didn’t explore the app before heading out the door this morning, yet I had no trouble figuring out the basics and shooting video that looks good with no processing whatsoever. With more practice and some post-processing, I’m sure the results would look even better, but I love how well my video turned out with minimal effort. I’m planning to spend more time with Kino over the summer and look forward to checking out Lux’s guides to improve my video skills.
Marcos Tanaka’s Play has become the way I watch YouTube, which isn’t something I expected would happen as much as I’ve enjoyed the app since its launch early last year. The app, available on the iPhone, iPad, Mac, and Apple TV, started as a way to save YouTube links to watch later. That made Play indispensable for keeping track of videos in a way that is similar to how I save articles I want to read later in Matter.
With version 2.0, Marcos has transformed Play from a utility where I save links for later to how I find videos and watch them in the first place. The big difference is that Play now allows users to manage YouTube channels inside the app. I still come across YouTube links on social media, iMessage conversations, on the Club MacStories Discord server, and elsewhere that I add to Play using its excellent share sheet integration. However, with support for YouTube channels, I now have a chronological list of everything published by my favorite channels delivered to an inbox where I can quickly pick the ones I want to watch, which is wonderful.
If that sounds a lot like RSS, that’s because it is. That’s how I prefer to scan my favorite websites for articles to read, and now, it’s how I’m watching my favorite YouTube channels.
It’s harder than ever to push Apple devices to their limits. Sure, some apps and workflows will do it, but for everyday tasks, Apple silicon has opened a gap between hardware and software that we haven’t seen in a while.
The transformation was gradual with the iPhone and iPad compared to the sudden leap the Mac took with the M1, but the result is the same. There are fewer and fewer apps that push Apple’s chips to the max.
That’s beginning to change with the focus on machine learning and Apple silicon’s Neural Engine. While pundits fret over Apple’s lack of an AI chatbot, developers are building a new class of apps that use local, on-device machine learning to accomplish some pretty amazing feats on all of Apple’s devices.
Detail Duo.
Great examples of this are the apps by Detail, an Amsterdam-based startup. Detail has two apps: Detail Duo, an iPhone and iPad video production app, and Detail for Mac, which does something similar but with a focus on multi-camera setups more suitable to a desktop environment.
As I explained in my Final Cut Pro for iPad first impressions story last week, I don’t work with much video. However, I’ve been dabbling in video more, and I’ve discovered a story as old as personal computers themselves.
Every hardware advance that creates a huge amount of performance headroom is eventually consumed by the ever-growing demands of apps. That’s just as true with Apple silicon as it was for other chip advances. What seemed like more power than average consumers would ever need quickly becomes a necessity as apps like Detail Duo and Detail push that hardware to its limits.
It’s these sorts of advances that I find incredibly exciting because when they’re coupled with intuitive, well-designed apps, they open up entirely new opportunities for users. For Detail, that means simplifying and democratizing video production that would have been out of reach of most users not that long ago, expanding access to video as a creative outlet.
Before digging into these apps further, though, you should know that my son Finn is on the team building Detail and Detail Duo. That’s one of the reasons I’ve known about and followed these apps for a long time now. I figured that’s context readers should know.
Pixelmator Pro 3.2 adds a new dimension to the Pixelmator team’s flagship app: video. I have yet to spend much time with the app’s new video features yet, but anyone familiar with Pixelmator Pro should feel right at home because working with video works a lot like editing still images.
Pixelmator Pro adds new video templates.
To get you started, Pixelmator Pro includes templates, a feature that was added in version 3.0. There are templates for a movie title clip, a YouTube thumbnail, YouTube channel art, and story-style vertical video. Only some templates incorporate placeholder video clips, but those that do are a great way to get a better feel of the video features added to the app.
Pixelmator Pro’s editing controls.
Editing a video isn’t much different from working with still images, except you’ll notice playback controls at the bottom of the clip you’re editing for controlling sound and playing back the clip. Also, a three-dot ‘more’ button reveals a scrubber with clip trimming controls and other advanced options when clicked. Other than that, video layers work just like other layers. You can adjust brightness, exposure, colors, and other aspects of a clip, apply filters, crop your video, overlay text, and more.
Video can be exported as MP4 files, QuickTime movies, animated GIFs, or PNGs. The Pixelmator team also says it has improved support for Motion projects.
Pixelmator Pro isn’t a replacement for a timeline-based video editor that lets you build a video from multiple clips. However, for clips like title segments and short-form social media posts, Pixelmator Pro strikes me as a far simpler solution than a more complex video editor like Final Cut Pro.
Pixelmator Pro 3.2 is available on the Mac App Store and is a free update to existing users. New users can purchase currently purchase Pixelmator Pro for $19.99, a 50% discount of its usual price.
Today, Adobe announced the release of Photoshop Elements 2023 and Premier Elements 2023, its photo and video editing apps for the Mac that guide users through a wide variety of creative projects and support for Apple silicon. The paid-up-front apps, which don’t require a Creative Cloud subscription, have been updated with an extensive list of new features and projects designed to help users get the most from their photos and videos.
Source: Adobe.
Photoshop Elements 2023, which focuses on photo editing projects, features a long list of new features. The centerpiece of the update is the ability to select an area of a photo and animate it, applying a dynamic effect to parts of an otherwise static image. The update to Elements also allows users to add photo overlays that can be used to frame shots, replace image backgrounds and skies, and brushes to add patterns to images.
Premier Elements’ new slideshow designs. Source: Adobe.
Premier Elements 2023, Adobe’s video creation app, includes new effects that can be applied to video to add artistic effects to video. The app also has new collage and slideshow templates with modern designs and more than 100 new soundtrack options.
Both apps have been rebuilt to take advantage of Apple silicon Macs. Adobe also announced a browser-based beta version of Elements.
Both apps are available now for $99.99 or as a bundle for $149.99 from Adobe’s website and other retailers.
One of the tradeoffs I see a lot in the apps we cover is between simplicity and flexibility. Simplicity has its virtues, but often apps designed to make things as easy as possible for users end up being inflexible, resulting in cookie-cutter output. The flip side is that maximum flexibility can get out of hand fast, leading to a steep learning curve. Striking the right balance is hard, but the apps that do are always among my favorites because they work so well for a wide audience. That’s exactly how I feel about Captionista, an iPhone and iPad app for adding text to video. It’s simple to understand but includes the kind of depth that epitomizes what it means to do one thing well.
I don’t work with video a lot, and when I do, my needs are pretty simple. Often, I want to demonstrate something with a screen recording, which isn’t always easy to follow without some sort of explanation. That’s where Captionista comes in.
To mark Star Wars Day, Apple released a special Behind the Mac video featuring the sound designers of Skywalker Sound, who rely heavily on Apple devices. The film, which runs just under 17 minutes, is a fascinating look at how the Skywalker Sound team captures and mixes real-world sounds that they transform into otherworldly sound effects for the Star Wars movies and other films.
The Behind the Mac video, which is currently featured on Apple’s homepage, focuses on Skywalker Sound’s production process from start to finish. Behind the scenes, the group’s mixing and editing are backed by a lot of Apple hardware. Sound editor Ryan Frias is featured in the video touring Skywalker Sound’s central machine room, which is filled with racks of Mac Pros. According to Apple’s press release:
With the power of approximately 130 Mac Pro racks, as well as 50 iMac, 50 MacBook Pro, and 50 Mac mini computers running Pro Tools as their main audio application, along with a fleet of iPad, iPhone, and Apple TV devices, Skywalker is advancing sound artistry and reshaping the industry.
That’s a lot of gear, but the video’s primary focus is on the creative process of the professionals at Skywalker Sound, who have been pushing the boundaries of sound design for many years. If you enjoy getting a behind-the-scenes look at creative people doing cutting-edge work, I recommend checking out Behind the Mac: Skywalker Sound.
